{"id":103876,"date":"2023-07-06T13:56:41","date_gmt":"2023-07-06T11:56:41","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/matthias-wohlbrecht-tenor\/"},"modified":"2026-09-07T22:41:44","modified_gmt":"2026-09-07T20:41:44","slug":"matthias-wohlbrecht-tenor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/matthias-wohlbrecht-tenor\/","title":{"rendered":"Matthias Wohlbrecht (Tenor)"},"content":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Matthias Wohlbrecht<\/h2>\n

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Vita<\/h2>\n

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In the 2026\/27 season, Matthias Wohlbrecht adds another distinctive character role to his repertoire as the Captain in Alban Berg\u2019s WOZZECK at La Monnaie in Brussels. The new production is directed by Christophe Coppens and conducted by Alain Altinoglu.<\/p>\n

 <\/p>\n

Recent engagements include Herod in a new production of SALOME at Komische Oper Berlin, as well as Loge in DAS RHEINGOLD and Mime in SIEGFRIED in the complete RING cycle at Theater Dortmund. He has also appeared as Herod in new productions at Oper Wuppertal and Oper Frankfurt and stepped in for the role at short notice at the Latvian National Opera in Riga and at Theater Bremen.<\/p>\n

 <\/p>\n

Matthias Wohlbrecht has been a member of the ensemble at the Badisches Staatstheater Karlsruhe since 2004, where he has established himself in a wide range of strongly characterised roles including Loge, Mime, Herod and the Witch in H\u00c4NSEL UND GRETEL. He also attracted considerable attention as Houston Stewart Chamberlain in the world premiere of Avner Dorman\u2019s WAHNFRIED and was nominated by Opernwelt magazine for \u201cSinger of the Year\u201d.<\/p>\n

 <\/p>\n

International guest engagements have taken him to Teatro La Fenice in Venice as Pong in TURANDOT, Teatro Petruzzelli in Bari as Loge and Mime in SIEGFRIED, and Teatro Lirico Giuseppe Verdi in Trieste as Herod. Further appearances include Loge in Auckland, Mime in DAS RHEINGOLD in Seoul, Max in DER FREISCH\u00dcTZ and Aegisth in ELEKTRA at the Oldenburgisches Staatstheater, as well as Brighella in ARIADNE AUF NAXOS and the First Armed Man in DIE ZAUBERFL\u00d6TE at Staatsoper Unter den Linden.<\/p>\n

 <\/p>\n

Wohlbrecht is also a regular presence on the concert stage. He has performed Mime and Loge on several occasions in DER RING AN EINEM ABEND at the Philharmonie im Gasteig in Munich. Under Ingo Metzmacher, he appeared as an Insurgent in Schoenberg\u2019s DIE JAKOBSLEITER with the Deutsches Symphonie-Orchester Berlin at the Berlin Philharmonie. Further concert engagements include Albert in Korngold\u2019s DIE TOTE STADT with the Orchestre de Radio France in Paris and a concert performance of H\u00c4NSEL UND GRETEL at the Tchaikovsky Concert Hall in Moscow.<\/p>\n

 <\/p>\n

Matthias Wohlbrecht studied at the Hochschule f\u00fcr Musik W\u00fcrzburg and at the Accademia del Belcanto in Milan.<\/p>\n

2026-08-31<\/em><\/p>\n

[\/vc_column_text]WEBSITE<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” anchor=”media” in_content_menu=”in_content_menu” content_menu_title=”MEDIA” content_menu_icon=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Media<\/h2>\n

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\u00a0<\/h5>\n
Komische Oper Berlin | SALOME<\/h5>\n

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Oper Dortmund | SIEGFRIED<\/h5>\n

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Staatstheater Karlsruhe | WOZZECK<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=t5Uy4xOITEY”][vc_separator type=”small” separator_width=”26″ position=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” anchor=”repertoire” in_content_menu=”in_content_menu” content_menu_title=”REPERTOIRE” content_menu_icon=”” text_align=”left” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Repertoire<\/h2>\n

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OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bellini<\/strong><\/td>\nLA STRANIERA<\/td>\nOsburgo<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nWOZZECK<\/td>\nHauptmann<\/em><\/td>\n<\/tr>\n
Berlioz<\/strong><\/td>\nLE TROYENS<\/td>\nHylas<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nDancairo<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nA MIDSUMMER NIGHT\u2019S DREAM<\/td>\nFrancis Flut<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nLUCIA DI LAMMERMOOR<\/td>\nArturo<\/em><\/td>\n<\/tr>\n
Dorman<\/strong><\/td>\nWAHNFRIED<\/td>\nHouston Chamberlain<\/em><\/td>\n<\/tr>\n
Fall<\/strong><\/td>\nMADAME POMPADOUR<\/td>\nJoseph Calicot<\/em><\/td>\n<\/tr>\n
Giordano<\/strong><\/td>\nANDR\u00c9 CHENIER<\/td>\nL’abate poeta, Un Incredibile
\n<\/em><\/td>\n<\/tr>\n
Glanert<\/strong><\/td>\nSCHERZ, SATIRE, IRONIE UND TIEFERE BEDEUTUNG<\/td>\nMollfels<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nHexe<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN<\/td>\nFuchs (Li\u0161ak)<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE SACHE MAKROPOULOS<\/td>\nHauk-Schendorf<\/em><\/td>\n<\/tr>\n
K\u00e1lm\u00e1n<\/strong><\/td>\nDIE CS\u00c1RD\u00c1SF\u00dcRSTIN<\/td>\nGraf Boni<\/em><\/td>\n<\/tr>\n
K\u00fcnneke<\/strong><\/td>\nDER VETTER AUS DINGSDA<\/td>\nAugust Kuhbrot, der erste Fremde<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\nRaoul de Saint-Brioche<\/em><\/td>\n<\/tr>\n
Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\nBeppo<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWERTHER<\/td>\nSchmidt<\/em><\/td>\n<\/tr>\n
Mazzoli<\/strong><\/td>\nBREAKING THE WAVES<\/td>\nDr. Richardson<\/em><\/td>\n<\/tr>\n
Meyerbeer<\/strong><\/td>\nLE PROPH\u00c8TE<\/td>\nJonas <\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nPedrillo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nMonostatos<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIDOMENEO<\/td>\nArbace<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA FINTA GIARDINIERA<\/td>\nDon Anchise<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\n Don Basilio<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nSchujskij<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nFANTASIO<\/td>\nMarinoni<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLES CONTES D’HOFFMANN<\/td>\nAndr\u00e8s-Cochenille-Frantz-Pitichinaccio<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nORPHEUS IN DER UNTERWELT<\/td>\nCupidon<\/em><\/td>\n<\/tr>\n
Polscher<\/strong><\/td>\nDIE MECHANISCHE BRAUT<\/td>\nCarl<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nTruffaldino <\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nMADAMA BUTTERFLY<\/td>\nGoro <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTOSCA<\/td>\nSpoletta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTURANDOT<\/td>\nPong<\/em><\/td>\n<\/tr>\n
Rimski-Korsakow<\/strong><\/td>\nMOZART UND SALIERI<\/td>\nMozart<\/em><\/td>\n<\/tr>\n
Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nGabriel von Eisenstein<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARIADNE AUF NAXOS<\/td>\nScaramuccio<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nValzacchi<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE FRAU OHNE SCHATTEN<\/td>\nDer Bucklige, Erscheinung des J\u00fcnglings
\n<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nAegisth<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSALOME<\/td>\nHerodes<\/em><\/td>\n<\/tr>\n
Strawinsky<\/strong><\/td>\nOEDIPUS REX<\/td>\nOedipus<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTHE RAKE’S PROGRESS<\/td>\nSellem<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nTriquet<\/em><\/td>\n<\/tr>\n
T\u00fc\u00fcr<\/strong><\/td>\nWALLENBERG<\/td>\nWallenberg Zwei<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nAIDA<\/td>\nUn messaggero<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nI VESPRI SICILIANI<\/td>\nDanieli<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nGaston <\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nFroh, Loge, Mime
\n<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIEGFRIED<\/td>\nMime<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nSteuermann<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nErster Gralsritter<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTANNH\u00c4USER<\/td>\nWalter von der Vogelweide<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTRISTAN UND ISOLDE<\/td>\nEin Hirt, Melot, Stimme eines jungen Seemanns
\n<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\nMax<\/em><\/td>\n<\/tr>\n
Weinberg<\/strong><\/td>\nDIE PASSAGIERIN<\/td>\nWalter<\/em><\/td>\n<\/tr>\n
Zeller<\/strong><\/td>\nDER VOGELH\u00c4NDLER<\/td>\nAdam<\/em><\/td>\n<\/tr>\n
Zemlinsky<\/strong><\/td>\nDER KREIDEKREIS<\/td>\nPrince Pao, honest official<\/i><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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\"\"

OPER LEIPZIG – EUGEN ONEGIN (PREMIERE)<\/a><\/h3><\/div><\/div><\/div>

OPER LEIPZIG – EUGEN ONEGIN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>18. September 2026<\/abbr><\/span><\/div>
Peter Dolin\u0161ek | F\u00fcrst Gremin<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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LANDESTHEATER LINZ – LOHENGRIN (PREMIERE)<\/a><\/h3><\/div><\/div><\/div>

LANDESTHEATER LINZ – LOHENGRIN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>18. September 2026<\/abbr><\/span><\/div>
Michael Schulz | Director<\/div>
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THEATER ERFURT – EUGEN ONEGIN (PREMIERE)<\/a><\/h3><\/div><\/div><\/div>

THEATER ERFURT – EUGEN ONEGIN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>18. September 2026<\/abbr><\/span><\/div>
Marlene Ga\u00dfner | Olga<\/div>
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ROBERT-SCHUMANN-PHILHARMONIE – 2. SINFONIEKONZERT<\/a><\/h3><\/div><\/div><\/div>

ROBERT-SCHUMANN-PHILHARMONIE – 2. SINFONIEKONZERT<\/a><\/h3>
By Agentur<\/a><\/span>14. September 2026<\/abbr><\/span><\/div>
Dominic Limburg\u00a0| Conductor<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”presse” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Press<\/h2>\n

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\"\"<\/div>

SALOME (PREMIERE) – KOMISCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>3. December 2025<\/abbr><\/span><\/div>
Premiere on October 22, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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DAS RHEINGOLD (PREMIERE) – THEATER DORTMUND (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>21. May 2024<\/abbr><\/span><\/div>
Premiere on May 9th, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALLE REZENSIONEN<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1655327500243{padding-top: 20px !important;}”]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”103857,103853,103851,103849″ img_size=”200×200″ css=”.vc_custom_1688644496118{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Matthias Wohlbrecht [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] In the 2026\/27…<\/p>\n","protected":false},"author":4,"featured_media":103855,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-103876","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103876"}],"version-history":[{"count":39,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876\/revisions"}],"predecessor-version":[{"id":110287,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876\/revisions\/110287"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/103855"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}