{"id":103876,"date":"2023-07-06T13:56:41","date_gmt":"2023-07-06T11:56:41","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/matthias-wohlbrecht-tenor\/"},"modified":"2026-03-30T17:08:57","modified_gmt":"2026-03-30T15:08:57","slug":"matthias-wohlbrecht-tenor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/matthias-wohlbrecht-tenor\/","title":{"rendered":"Matthias Wohlbrecht (Tenor)"},"content":{"rendered":"

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Matthias Wohlbrecht<\/h2>\n

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Vita<\/h2>\n

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In the 2025\/26 season, tenor Matthias Wohlbrecht appears as Herod in a new production of Salome at the Komische Oper Berlin. In the previous season (2024\/25), he performed at the Theater Dortmund in the complete Ring cycle as Loge (Das Rheingold) and Mime (Siegfried) \u2013 roles in which he had already achieved great success there in 2023\/24. Further engagements that season included Herod in a new production of Salome at the Oper Wuppertal, as well as short-notice performances in the same role at the Latvian National Opera in Riga and at Theater Bremen.<\/p>\n

Since 2004, Matthias Wohlbrecht has been a member of the ensemble at the Badisches Staatstheater Karlsruhe, where he has established himself in particular as an interpreter of character roles such as Loge and Mime, Herod, and the Witch (H\u00e4nsel und Gretel) in the theatre\u2019s new Ring cycle. He also earned great acclaim there as Houston Stewart Chamberlain in the world premiere of Wahnfried, for which he was nominated as \u201cSinger of the Year\u201d by Opernwelt magazine. Other important engagements include his debuts as Max (Der Freisch\u00fctz) and Aegisth (Elektra), as well as appearances as Loge and Mime in the highly praised Ring production at the Staatstheater Oldenburg.<\/p>\n

Internationally, Wohlbrecht has been invited to perform at leading opera houses, including appearances as Pong (Turandot) at Teatro La Fenice in Venice, Loge and Mime (Siegfried) at Teatro Petruzzelli in Bari, and Herod (Salome) at Teatro Lirico G. Verdi in Trieste. His portrayals of Loge in Auckland, New Zealand, and Mime (Das Rheingold) in Seoul have further strengthened his reputation.<\/p>\n

In January 2024, he made his debut at Oper Frankfurt as Herod in Salome. His repertoire at the Staatsoper Unter den Linden in Berlin includes Brighella (Ariadne auf Naxos) and the First Armoured Man (Die Zauberfl\u00f6te).<\/p>\n

Wohlbrecht is also a sought-after concert artist. He has appeared several times at the Philharmonie im Gasteig in Munich, performing Mime and Loge in Der Ring an einem Abend. Under Ingo Metzmacher, he sang the Rebel in Schoenberg\u2019s Die Jakobsleiter with the Deutsches Symphonie-Orchester Berlin at the Berliner Philharmonie, and under John Nelson he appeared as Albert in Korngold\u2019s Die tote Stadt with the Orchestre de Radio France in Paris. He has also sung in the Tchaikovsky Concert Hall in Moscow in a concert performance of H\u00e4nsel und Gretel.<\/p>\n

Matthias Wohlbrecht studied voice at the Hochschule f\u00fcr Musik in W\u00fcrzburg and completed his training at the Accademia del Belcanto in Milan.<\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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<\/h5>\n
Komische Oper Berlin | SALOME<\/h5>\n

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Oper Dortmund | SIEGFRIED<\/h5>\n

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Staatstheater Karlsruhe | WOZZECK<\/h5>\n

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Repertoire<\/h2>\n

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OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bellini<\/strong><\/td>\nLA STRANIERA<\/td>\nOsburgo<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nWOZZECK<\/td>\nHauptmann<\/em><\/td>\n<\/tr>\n
Berlioz<\/strong><\/td>\nLE TROYENS<\/td>\nHylas<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nDancairo<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nLUCIA DI LAMMERMOOR<\/td>\nArturo<\/em><\/td>\n<\/tr>\n
Dorman<\/strong><\/td>\nWAHNFRIED<\/td>\nHouston Chamberlain<\/em><\/td>\n<\/tr>\n
Fall<\/strong><\/td>\nMADAME POMPADOUR<\/td>\nJoseph Calicot<\/em><\/td>\n<\/tr>\n
Giordano<\/strong><\/td>\nANDR\u00c9 CHENIER<\/td>\nL’abate poeta, Un Incredibile
\n<\/em><\/td>\n<\/tr>\n
Glanert<\/strong><\/td>\nSCHERZ, SATIRE, IRONIE UND TIEFERE BEDEUTUNG<\/td>\nMollfels<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nHexe<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN<\/td>\nFuchs (Li\u0161ak)<\/em><\/td>\n<\/tr>\n
<\/td>\nDIE SACHE MAKROPOULOS<\/td>\nHauk-Schendorf<\/em><\/td>\n<\/tr>\n
K\u00e1lm\u00e1n<\/strong><\/td>\nDIE CS\u00c1RD\u00c1SF\u00dcRSTIN<\/td>\nGraf Boni<\/em><\/td>\n<\/tr>\n
K\u00fcnneke<\/strong><\/td>\nDER VETTER AUS DINGSDA<\/td>\nAugust Kuhbrot, der erste Fremde<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\nRaoul de Saint-Brioche<\/em><\/td>\n<\/tr>\n
Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\nBeppo<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWERTHER<\/td>\nSchmidt<\/em><\/td>\n<\/tr>\n
Mazzoli<\/strong><\/td>\nBREAKING THE WAVES<\/td>\nDr. Richardson<\/em><\/td>\n<\/tr>\n
Meyerbeer<\/strong><\/td>\nLE PROPH\u00c8TE<\/td>\nJonas <\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nPedrillo<\/em><\/td>\n<\/tr>\n
<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nMonostatos<\/em><\/td>\n<\/tr>\n
<\/td>\nIDOMENEO<\/td>\nArbace<\/em><\/td>\n<\/tr>\n
<\/td>\nLA FINTA GIARDINIERA<\/td>\nDon Anchise<\/em><\/td>\n<\/tr>\n
<\/td>\nLE NOZZE DI FIGARO<\/td>\n Don Basilio<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nSchujskij<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nFANTASIO<\/td>\nMarinoni<\/em><\/td>\n<\/tr>\n
<\/td>\nLES CONTES D’HOFFMANN<\/td>\nAndr\u00e8s-Cochenille-Frantz-Pitichinaccio<\/em><\/td>\n<\/tr>\n
<\/td>\nORPHEUS IN DER UNTERWELT<\/td>\nCupidon<\/em><\/td>\n<\/tr>\n
Polscher<\/strong><\/td>\nDIE MECHANISCHE BRAUT<\/td>\nCarl<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nTruffaldino <\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nMADAMA BUTTERFLY<\/td>\nGoro <\/em><\/td>\n<\/tr>\n
<\/td>\nTOSCA<\/td>\nSpoletta<\/em><\/td>\n<\/tr>\n
<\/td>\nTURANDOT<\/td>\nPong<\/em><\/td>\n<\/tr>\n
Rimski-Korsakow<\/strong><\/td>\nMOZART UND SALIERI<\/td>\nMozart<\/em><\/td>\n<\/tr>\n
Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nGabriel von Eisenstein<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARIADNE AUF NAXOS<\/td>\nScaramuccio<\/em><\/td>\n<\/tr>\n
<\/td>\nDER ROSENKAVALIER<\/td>\nValzacchi<\/em><\/td>\n<\/tr>\n
<\/td>\nDIE FRAU OHNE SCHATTEN<\/td>\nDer Bucklige, Erscheinung des J\u00fcnglings
\n<\/em><\/td>\n<\/tr>\n
<\/td>\nELEKTRA<\/td>\nAegisth<\/em><\/td>\n<\/tr>\n
<\/td>\nSALOME<\/td>\nHerodes<\/em><\/td>\n<\/tr>\n
Strawinsky<\/strong><\/td>\nOEDIPUS REX<\/td>\nOedipus<\/em><\/td>\n<\/tr>\n
<\/td>\nTHE RAKE’S PROGRESS<\/td>\nSellem<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nTriquet<\/em><\/td>\n<\/tr>\n
T\u00fc\u00fcr<\/strong><\/td>\nWALLENBERG<\/td>\nWallenberg Zwei<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nAIDA<\/td>\nUn messaggero<\/em><\/td>\n<\/tr>\n
<\/td>\nI VESPRI SICILIANI<\/td>\nDanieli<\/em><\/td>\n<\/tr>\n
<\/td>\nLA TRAVIATA<\/td>\nGaston <\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nFroh, Loge, Mime
\n<\/em><\/td>\n<\/tr>\n
<\/td>\nSIEGFRIED<\/td>\nMime<\/em><\/td>\n<\/tr>\n
<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nSteuermann<\/em><\/td>\n<\/tr>\n
<\/td>\nPARSIFAL<\/td>\nErster Gralsritter<\/em><\/td>\n<\/tr>\n
<\/td>\nTANNH\u00c4USER<\/td>\nWalter von der Vogelweide<\/em><\/td>\n<\/tr>\n
<\/td>\nTRISTAN UND ISOLDE<\/td>\nEin Hirt, Melot, Stimme eines jungen Seemanns
\n<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\nMax<\/em><\/td>\n<\/tr>\n
Weinberg<\/strong><\/td>\nDIE PASSAGIERIN<\/td>\nWalter<\/em><\/td>\n<\/tr>\n
Zeller<\/strong><\/td>\nDER VOGELH\u00c4NDLER<\/td>\nAdam<\/em><\/td>\n<\/tr>\n
Zemlinsky<\/strong><\/td>\nDER KREIDEKREIS<\/td>\nPrince Pao, honest official<\/i><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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LES ARTS VAL\u00c8NCIA – CARMINA BURANA<\/a><\/h3><\/div><\/div><\/div>

LES ARTS VAL\u00c8NCIA – CARMINA BURANA<\/a><\/h3>
By Agentur<\/a><\/span>28. May 2026<\/abbr><\/span><\/div>
Olivia Lee-Gundermann | Musical direction<\/div>
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TEATRO DE LA MAESTRANZA SEVILLA – AIDA<\/a><\/h3><\/div><\/div><\/div>

TEATRO DE LA MAESTRANZA SEVILLA – AIDA<\/a><\/h3>
By Agentur<\/a><\/span>28. May 2026<\/abbr><\/span><\/div>
Dominic Limburg | Conductor<\/div>
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MUSIKTHEATER IM REVIER – THE GRAND DUCHESS OF GEROLSTEIN (PREMIERE)<\/a><\/h3><\/div><\/div><\/div>

MUSIKTHEATER IM REVIER – THE GRAND DUCHESS OF GEROLSTEIN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>28. May 2026<\/abbr><\/span><\/div>
Florian Ludwig | Conductor<\/div>
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DEUTSCHE OPER BERLIN – LA BOH\u00c8ME<\/a><\/h3><\/div><\/div><\/div>

DEUTSCHE OPER BERLIN – LA BOH\u00c8ME<\/a><\/h3>
By Agentur<\/a><\/span>28. May 2026<\/abbr><\/span><\/div>
Philipp Jekal | Schaunard<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”presse” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Press<\/h2>\n

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\"\"<\/div>

SALOME (PREMIERE) – KOMISCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>3. December 2025<\/abbr><\/span><\/div>
Premiere on October 22, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
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DAS RHEINGOLD (PREMIERE) – THEATER DORTMUND (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>21. May 2024<\/abbr><\/span><\/div>
Premiere on May 9th, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALLE REZENSIONEN<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1655327500243{padding-top: 20px !important;}”]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”103857,103853,103851,103849″ img_size=”200×200″ css=”.vc_custom_1688644496118{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Matthias Wohlbrecht [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] In the 2025\/26…<\/p>\n","protected":false},"author":4,"featured_media":103855,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-103876","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103876"}],"version-history":[{"count":38,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876\/revisions"}],"predecessor-version":[{"id":109701,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103876\/revisions\/109701"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/103855"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}