{"id":103753,"date":"2023-06-05T16:58:29","date_gmt":"2023-06-05T14:58:29","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=103753"},"modified":"2026-09-09T20:48:28","modified_gmt":"2026-09-09T18:48:28","slug":"elisabeth-dopheide-soprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/elisabeth-dopheide-soprano\/","title":{"rendered":"Elisabeth Dopheide (Soprano)"},"content":{"rendered":"

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Elisabeth Dopheide<\/h2>\n

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Vita<\/h2>\n

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German soprano Elisabeth Dopheide combines a versatile operatic repertoire with a particular affinity for Wagner and for music of the 20th and 21st centuries. In recent years, her work has encompassed both lyrical and more dramatic roles from the established repertoire as well as contemporary opera and world premieres.<\/p>\n

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From 2023 to 2026, she was a member of the ensemble at Theater Chemnitz, where her roles included the title role in Charpentier\u2019s LOUISE, the Mother in H\u00c4NSEL UND GRETEL, Rosalinde in DIE FLEDERMAUS, Venus in ORPHEUS IN DER UNTERWELT, Indolenda in DIE DREI W\u00dcNSCHE and the President in DER TENOR DER HERZOGIN. During her final season with the company, she also appeared as Anne Frank in a concert performance of DAS TAGEBUCH DER ANNE FRANK, as Nedda in PAGLIACCI and as Ruth Fischer in the world premiere of Ludger Vollmer\u2019s RUMMELPLATZ.<\/p>\n

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Recent guest engagements have included Freia in a new production of Wagner\u2019s DAS RHEINGOLD at Stadttheater Klagenfurt and Gerhilde in DIE WALK\u00dcRE at B\u00fchnen Bern. Elisabeth Dopheide made her professional operatic debut in 2022 at the Semperoper Dresden as Sophie Scholl in Udo Zimmermann\u2019s WEISSE ROSE.<\/p>\n

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She is equally at home on the concert and oratorio stage. Her repertoire includes Orff\u2019s CARMINA BURANA, Mendelssohn\u2019s ELIJAH and Palmeri\u2019s MISA TANGO, while recordings for Deutschlandfunk and NDR reflect her work as a concert soloist.<\/p>\n

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Elisabeth Dopheide studied at the Hochschule f\u00fcr Musik, Theater und Medien Hannover with Prof. Gudrun Pelker and in the Lied class of Prof. Jan Philip Schulze. She received further artistic guidance in masterclasses with singers including Dagmar Schellenberger, Stefan Vinke and Johannes Martin Kr\u00e4nzle.<\/p>\n

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In 2018, she was awarded Second Prize in the junior category of the Bundeswettbewerb Gesang Berlin. She has also received scholarships from the German Academic Scholarship Foundation, the Walter and Charlotte Hamel Foundation, the Richard Wagner Association and the Ernst von Siemens Foundation.<\/p>\n

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2026-08-31<\/em><\/p>\n

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Media<\/h2>\n

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\u00a0<\/h5>\n
Semperoper Dresden | DIE WEI\u00dfE ROSE<\/h5>\n

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Semperoper Dresden | DIE WEI\u00dfE ROSE\u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Making-of)<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Charpentier<\/strong><\/td>\nLOUISE<\/td>\nLouise<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong>
\n<\/strong><\/td>\n		HANSEL AND GRETEL<\/td>\nGertrud,<\/sup> his wife<\/i><\/em><\/td>\n<\/tr>\n
Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\nNedda<\/em><\/td>\n<\/tr>\n
Martinu<\/strong><\/td>\nJULIETTE<\/td>\nJuliette<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nLE NOZZE DI FIGARO<\/td>\nContessa <\/em><\/td>\n<\/tr>\n
Offenbach
\n<\/strong><\/td>\n		ORPHEUS IN DER UNTERWELT (ORPH\u00c9E AUX ENFERS)<\/td>\nVenus<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nLA BOH\u00c8ME<\/td>\nMusetta<\/em><\/td>\n<\/tr>\n
Vollmer<\/strong><\/td>\nRUMMELPLATZ<\/td>\nRuth Fischer<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARIADNE AUF NAXOS<\/td>\nNajade <\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nTHE VALKYRIE<\/td>\nGerhilde<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nBlumenm\u00e4dchen<\/em><\/td>\n<\/tr>\n
Zimmermann<\/strong><\/td>\nDIE WEISSE ROSE<\/td>\nSophie Scholl<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Alban Berg<\/strong><\/td>\n7 fr\u00fche Lieder<\/td>\n<\/tr>\n
Anton\u00edn Dvor\u00e1k <\/strong><\/td>\nBiblische Lieder op. 99<\/td>\n<\/tr>\n
\u00a0<\/td>\nStabat Mater, op. 58 (B 71)<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nLieder mit Klavier op. 18<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nR\u00fcckert-Lieder<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nElias op. 70<\/td>\n<\/tr>\n
\u00a0<\/td>\nLobgesang op. 52 (MWV A 18)<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nVesperae solennes de Confessore, KV 339<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCarmina Burana<\/td>\n<\/tr>\n
Mart\u00edn Palmeri<\/strong><\/td>\nMagnificat, Sopran<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMisa Tango, Solo<\/em><\/td>\n<\/tr>\n
Richard Strauss<\/strong><\/td>\n8 Gedichte aus ‘Letzte Bl\u00e4tter’, Op.10<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nWesendonck-Lieder<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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THEATER CHEMNITZ – THE BIRD SELLER<\/a><\/h3>Elisabeth Dopheide<\/a><\/span><\/div><\/div><\/div>

THEATER CHEMNITZ – THE BIRD SELLER<\/a><\/h3>
By Agentur<\/a><\/span>29. April 2026<\/abbr><\/span>Elisabeth Dopheide<\/a><\/span><\/div>
Elisabeth Dopheide | Electoress Marie<\/div>
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THEATER CHEMNITZ – PAGLIACCI<\/a><\/h3>Elisabeth Dopheide<\/a><\/span><\/div><\/div><\/div>

THEATER CHEMNITZ – PAGLIACCI<\/a><\/h3>
By Agentur<\/a><\/span>28. January 2026<\/abbr><\/span>Elisabeth Dopheide<\/a><\/span><\/div>
Elisabeth Dopheide | Nedda \/ Colombina\u00a0<\/div>
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THEATER CHEMNITZ – LA BOH\u00c8ME<\/a><\/h3>Elisabeth Dopheide<\/a><\/span><\/div><\/div><\/div>

THEATER CHEMNITZ – LA BOH\u00c8ME<\/a><\/h3>
By Agentur<\/a><\/span>19. December 2025<\/abbr><\/span>Elisabeth Dopheide<\/a><\/span><\/div>
Elisabeth Dopheide | Musetta\u00a0<\/div>
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THEATER CHEMNITZ – HANSEL UND GRETEL<\/a><\/h3>Elisabeth Dopheide<\/a><\/span><\/div><\/div><\/div>

THEATER CHEMNITZ – HANSEL UND GRETEL<\/a><\/h3>
By Agentur<\/a><\/span>23. November 2025<\/abbr><\/span>Elisabeth Dopheide<\/a><\/span><\/div>
Elisabeth Dopheide | Gertrud<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”presse” in_content_menu=”in_content_menu” content_menu_title=”PRESSE” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Press<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
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RICHARD STRAUSS \u2013 INTERMEZZO<\/a><\/h3>
By Agentur<\/a><\/span>9. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_single_image image=”109998″ img_size=”large” alignment=”center” css=”” qode_css_animation=””][vc_custom_heading text=”Richard STRAUSS (1864\u20131949) Intermezzo A bourgeois comedy with symphonic interludes in two acts (1924) Libretto by the composer” font_container=”tag:h4|text_align:left” google_fonts=”font_family:Balthazar%3Aregular|font_style:400%20regular%3A400%3Anormal” css=””][vc_column_text css=””] Richard Strauss summed up his two-act opera Intermezzo as a \u2018bourgeois comedy...<\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1771249715021{padding-top: 20px !important;}”]<\/p>\n

Photos<\/h2>\n

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[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”107975,107973,107971,107969,107965,107963,107961,105664″ img_size=”200×200″ css=”.vc_custom_1741712745653{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Elisabeth Dopheide [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] German soprano Elisabeth…<\/p>\n","protected":false},"author":4,"featured_media":107971,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-103753","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103753"}],"version-history":[{"count":45,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103753\/revisions"}],"predecessor-version":[{"id":110375,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103753\/revisions\/110375"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/107971"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}