{"id":103387,"date":"2023-03-15T15:15:18","date_gmt":"2023-03-15T14:15:18","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=103387"},"modified":"2026-01-31T15:44:53","modified_gmt":"2026-01-31T14:44:53","slug":"olivia-lee-gundermann-conductor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/olivia-lee-gundermann-conductor\/","title":{"rendered":"Olivia Lee-Gundermann (Conductor)"},"content":{"rendered":"

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Olivia Lee-Gundermann<\/h2>\n

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Vita<\/h2>\n

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The German-Korean conductor Olivia Lee-Gundermann gained international attention with her debut at the Teatro Real Madrid in John Adams\u2019 Nixon in China. She is a prizewinner of the Malta International Conducting Competition and the BMI International Conducting Competition in Bucharest.<\/p>\n

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Since the 2022\/23 season she has served as Associate Conductor (2. Kapellmeisterin) at Theater Dortmund, where she has led new productions including Nixon in China, Gr\u00e4fin Mariza, Romeo and Juliet, The Pirates of Penzance, the world premiere of M\u00e4dchen in Not, as well as Die Zauberfl\u00f6te and La Boh\u00e8me. Prior to this, she held posts as r\u00e9p\u00e9titeur with conducting duties and later as Kapellmeister at the Landestheater Detmold, where she developed an extensive repertoire across opera, operetta, musical theatre, and ballet.<\/p>\n

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She has appeared as guest conductor with ensembles such as the Nordwestdeutsche Philharmonie, the Detmold Chamber Orchestra, the Philharmonic Orchestras of Hagen, Kiel and Detmold, the Philharmonie S\u00fcdwestfalen and the Bergische Symphoniker.<\/p>\n

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Olivia Lee-Gundermann first studied piano at Suwon University and collaborative piano at the Korea National University of Arts. In 2012 she moved to Germany to pursue orchestral conducting at the Hochschule f\u00fcr Musik Detmold, initially with Prof. Karl-Heinz Bloemeke and from 2015 to 2019 with Prof. Florian Ludwig. During her studies she made her conducting debut with Mozart\u2019s Die Zauberfl\u00f6te in the 2014 annual production. In 2015 and 2016 she was awarded a scholarship by the German Academic Exchange Service (DAAD).<\/p>\n

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2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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Teatro Real: NIXON IN CHINA (Official trailer)<\/h5>\n

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Olivia Lee-Gundermann | Teatro Real<\/h5>\n

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\u00a0<\/h5>\n
Oper Dortmund | GR\u00c4FIN MARIZ<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta \/ Musical \/ Ballet<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
John Adams<\/strong><\/td>\nNIXON IN CHINA<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nTHE TURN OF THE SCREW<\/td>\n<\/tr>\n
Kathrin A. Denner<\/strong><\/td>\nINSTAME<\/td>\n<\/tr>\n
Michael Essl<\/strong><\/td>\nM\u00c4DCHEN IN NOT<\/td>\n<\/tr>\n
Friedrich Flotow<\/strong><\/td>\nMARTHA<\/td>\n<\/tr>\n
Dan Goggin<\/strong><\/td>\nNUNSENSE<\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\n<\/tr>\n
Emmerich K\u00e1lm\u00e1n<\/strong><\/td>\nDIE CS\u00c1RD\u00c1SF\u00dcRSTIN<\/td>\n<\/tr>\n
\u00a0<\/td>\nGR\u00c4FIN MARIZA<\/td>\n<\/tr>\n
Eduard K\u00fcnneke<\/strong><\/td>\nDER VETTER AUS DINGSDA<\/td>\n<\/tr>\n
Franz Leh\u00e1r<\/strong><\/td>\nDAS LAND DES L\u00c4CHELNS<\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE LUSTIGE WITWE<\/td>\n<\/tr>\n
Edzard Locher<\/strong><\/td>\nWAS DAS NASHORN SAH, ALS ES AUF DIE ANDERE SEITE DES ZAUNS SCHAUTE<\/td>\n<\/tr>\n
Frederick Loewe<\/strong><\/td>\nMY FAIR LADY<\/td>\n<\/tr>\n
Albert Lortzing<\/strong><\/td>\nZAR UND ZIMMERMANN<\/td>\n<\/tr>\n
Alan Menken<\/strong><\/td>\nDER KLEINE HORRORLADEN<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCARMINA BURANA<\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nROMEO UND JULIA<\/td>\n<\/tr>\n
Giacomo Puccini
\n<\/strong><\/td>\n		LA BOH\u00c8ME<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTURANDOT<\/td>\n<\/tr>\n
Alexander Stessin<\/strong><\/td>\nKANNST DU PFEIFEN, JOHANNA<\/td>\n<\/tr>\n
Pjotr Iljitsch Tschaikowski<\/strong><\/td>\nTHE NUTCRACKER<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSWAN LAKE<\/td>\n<\/tr>\n
Xin Peng Wang \/ Michael Nyman<\/strong>
\n<\/strong><\/td>\n		DER TRAUM DER ROTEN KAMMER (Ballet)<\/td>\n<\/tr>\n
Andrew Lloyd Webber<\/strong><\/td>\nJESUS CHRIST SUPERSTAR<\/td>\n<\/tr>\n
Kurt Weill<\/strong><\/td>\nTOM SAWYER UND HUCKLEBERRY FINN<\/td>\n<\/tr>\n
Frank Wildhorn<\/strong><\/td>\nDRACULA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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Presse<\/h2>\n

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\"\"<\/div>

NIXON IN CHINA (PREMIERE) – TEATRO REAL (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>6. May 2023<\/abbr><\/span><\/div>
Premiere on April 17, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”106175,106165,106141,106159″ img_size=”200×200″ css=”.vc_custom_1704724621465{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Olivia Lee-Gundermann [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] The German-Korean conductor Olivia Lee-Gundermann gained…<\/p>\n","protected":false},"author":4,"featured_media":103366,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-103387","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103387"}],"version-history":[{"count":27,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103387\/revisions"}],"predecessor-version":[{"id":109278,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/103387\/revisions\/109278"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/103366"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}