{"id":102993,"date":"2023-02-21T14:35:08","date_gmt":"2023-02-21T13:35:08","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=102993"},"modified":"2026-03-18T17:33:13","modified_gmt":"2026-03-18T16:33:13","slug":"samantha-gaul-soprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/samantha-gaul-soprano\/","title":{"rendered":"Samantha Gaul (Soprano)"},"content":{"rendered":"

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Samantha Gaul<\/h2>\n

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Vita<\/h2>\n

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In the 2025\/26 season, soprano Samantha Gaul can be heard at Oper Leipzig as Despina in a new production of Cos\u00ec fan tutte<\/em>, Nannetta in a new production of Falstaff<\/em>, Pamina (Die Zauberfl\u00f6te<\/em>), Musetta (La Boh\u00e8me<\/em>), Gretel (H\u00e4nsel und Gretel<\/em>), Woglinde (G\u00f6tterd\u00e4mmerung<\/em>), L\u2019Inconnue in the world premiere of Coming Up for Air<\/em>, and Frasquita (Carmen<\/em>). In concert, she will appear in the New Year\u2019s Gala with the Orchestra Sinfonica Siciliana in Palermo and perform Massenet\u2019s La Vierge<\/em> with the Staatskapelle Halle.<\/p>\n

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In the recent past (2024\/25), her performances at Oper Leipzig included Oriane in a new production of Amadis de Gaule<\/em>, Pamina (Die Zauberfl\u00f6te<\/em>), Waldvogel (Siegfried<\/em>), Annina (La Traviata<\/em>), \u00c4nnchen (Der Freisch\u00fctz<\/em>), Madama Cortese (Il viaggio a Reims<\/em>), Zerlina (Don Giovanni<\/em>), and Sophie (Der Rosenkavalier<\/em>). Guest engagements in the same season took her to the M\u00fcpa Budapest and Teatro Olimpico in Vicenza as Najade (Ariadne auf Naxos<\/em>), to the National Centre for the Performing Arts (NCPA) in Beijing as Adele (Die Fledermaus<\/em>), and to the Komische Oper Berlin as Gretel (H\u00e4nsel und Gretel<\/em>).<\/p>\n

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Since joining the ensemble of Oper Leipzig in 2022\/23, she has performed an extensive repertoire including Sophie (Der Rosenkavalier<\/em>), Gretel (H\u00e4nsel und Gretel<\/em>), \u00c4nnchen (Der Freisch\u00fctz<\/em>), Musetta (La Boh\u00e8me<\/em>), Frasquita (Carmen<\/em>), Zerlina (Don Giovanni<\/em>), Pamina (Die Zauberfl\u00f6te<\/em>), Despina (Cos\u00ec fan tutte<\/em>), and Waldvogel (Siegfried<\/em>).<\/p>\n

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Her further guest appearances have included the Komische Oper Berlin (Nannetta \/ Falstaff<\/em>, Gretel \/ H\u00e4nsel und Gretel<\/em>), Theater Basel (Augusta Leigh \/ Diodati. Unendlich<\/em>), Staatstheater Darmstadt (Flora \/ The Turn of the Screw<\/em>, Linfea \/ La Calisto<\/em>), B\u00fchnen Bern (Musetta \/ La Boh\u00e8me<\/em>), Oper Frankfurt, Op\u00e9ra National de Montpellier, Deutsches Nationaltheater Weimar (Najade \/ Ariadne auf Naxos<\/em>), and frequent returns to Staatstheater Augsburg (including Sophie Scholl \/ Die wei\u00dfe Rose<\/em>, Serpetta \/ La finta giardiniera<\/em>, Adina \/ L\u2019elisir d\u2019amore<\/em>, and the title role in Simplicius Simplicissimus<\/em>).<\/p>\n

 <\/p>\n

On the concert stage, she has appeared at the Schwetzinger SWR Festival, Rheingau Musik Festival, Weilburg Palace Concerts, and the Schubertiade in Hohenems\u2014where she premiered Kit Armstrong\u2019s Ulla Hahn Lieder<\/em>\u2014as well as in recital at the Villa Wahnfried in Bayreuth. She has performed with the Budapest Festival Orchestra under Iv\u00e1n Fischer as Najade (Ariadne auf Naxos<\/em>) at the B\u00e9la Bart\u00f3k National Concert Hall in Budapest and Teatro Olimpico in Vicenza, and made her debut at the Philharmonie Luxembourg with Mahler\u2019s Symphony No. 4 under Carlo Rizzari.<\/p>\n

 <\/p>\n

From 2013 to 2022, Samantha Gaul was a member of the ensemble at Theater Freiburg, where she performed major roles in her repertoire including Susanna (Le nozze di Figaro<\/em>), Nannetta (Falstaff<\/em>), Adele (Die Fledermaus<\/em>), Zerlina (Don Giovanni<\/em>), Musetta (La Boh\u00e8me<\/em>), Olympia (Les Contes d\u2019Hoffmann<\/em>), and the title roles in Mark-Anthony Turnage\u2019s Coraline<\/em> (German premiere) and Jan\u00e1\u010dek\u2019s The Cunning Little Vixen<\/em>\u2014the latter also recorded for NAXOS with the SWR.<\/p>\n

 <\/p>\n

In 2018 she was nominated by Opernwelt<\/em> magazine as Young Artist of the Year. Samantha Gaul studied voice at the Hochschule f\u00fcr Musik und Theater M\u00fcnchen and the Hochschule f\u00fcr Musik Frankfurt.<\/p>\n

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2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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Schubert: Romanze aus dem Schauspiel Rosamunde<\/h5>\n

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Repertoire<\/h2>\n

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OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bach, Johann Christian<\/strong><\/td>\nAMADIS, DER RITTER<\/td>\nOriane <\/em><\/td>\n<\/tr>\n
Franz Ignaz Beck<\/strong><\/td>\nL\u2018ISLE DE\u00b4SERTE<\/td>\nLaurette<\/em><\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\nFrasquita<\/em><\/td>\n<\/tr>\n
Benjamin Britten <\/strong><\/td>\nTHE TURN OF THE SCREW<\/td>\nFlora<\/em><\/td>\n<\/tr>\n
Francesco Cavalli<\/strong><\/td>\nLA CALISTO<\/td>\nLinfea<\/em><\/td>\n<\/tr>\n
Peter Maxwell Davies<\/strong><\/td>\nKOMMILITONEN!<\/td>\nDoctor<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMR EMMET TAKES A WALK<\/td>\nKa<\/em><\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nL’ELISIR D’AMORE<\/td>\nAdina<\/em><\/td>\n<\/tr>\n
Franke<\/strong><\/td>\nCOMING UP FOR AIR<\/td>\nL’Inconnue<\/em><\/td>\n<\/tr>\n
Karl Amadeus Hartmann<\/strong><\/td>\nSIMPLICIUS SIMPLICISSIMUS<\/td>\nSimplicius Simplicissimus<\/em><\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nL’ISOLA DISABITATA<\/td>\nSilvia<\/em><\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nGretel, Sandm\u00e4nnchen, Taum\u00e4nnchen<\/em><\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN (P\u0159\u00edhody li\u0161ky Bystrou\u0161ky)<\/td>\nF\u00fcchsin (Li\u0161ak)<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJENUFA (Jeji pastorkyna)<\/td>\nJano<\/em><\/td>\n<\/tr>\n
Marius Felix Lange<\/strong><\/td>\nSCHNEEWITTCHEN<\/td>\nPassantin 2, Tier 1, Zwerg Klecks<\/em><\/td>\n<\/tr>\n
Geno\u00ebl von Lilienstern<\/strong><\/td>\nSPEERE STEIN KLAVIER<\/td>\nTochter<\/em><\/td>\n<\/tr>\n
Jules Massenet<\/strong><\/td>\nWERTHER<\/td>\nSophie<\/em><\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nPamina
\n<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nZerlina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA FINTA GIARDINIERA<\/td>\nSerpetta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nSusanna<\/em><\/td>\n<\/tr>\n
Jacques Offenbach<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\nOlympia<\/em><\/td>\n<\/tr>\n
Francis Poulenc<\/strong><\/td>\nLES DIALOGUES DES CARMELITES<\/td>\nSoeur Constance<\/em><\/td>\n<\/tr>\n
Giacomo Puccini<\/strong><\/td>\nLA BOH\u00c8ME<\/td>\nMusetta<\/em><\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\nL’ENFANT ET LES SORTILEGES<\/td>\nLe Feu<\/em><\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nAdele<\/em><\/td>\n<\/tr>\n
Richard Strauss<\/strong><\/td>\nARIADNE AUF NAXOS,<\/td>\nNajade<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nSophie<\/em><\/td>\n<\/tr>\n
Hans Thomalla<\/strong><\/td>\nKASPAR HAUSER<\/td>\nAnna Daumer, Frau Binder, Henriette Meyer<\/em><\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nNanetta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nAnnina<\/em><\/td>\n<\/tr>\n
Carl Maria von Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\n\u00c4nnchen<\/em><\/td>\n<\/tr>\n
Kurt Weill<\/strong><\/td>\nLOVE LIFE<\/td>\nMary Sue, Miss Ideal Man<\/em><\/td>\n<\/tr>\n
Michael Wertm\u00fcller<\/strong><\/td>\nDIODATI.UNENDLICH<\/td>\nAugusta Leigh<\/em><\/td>\n<\/tr>\n
Udo Zimmermann<\/strong><\/td>\nDIE WEI\u00dfE ROSE<\/td>\nSophie Scholl<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nKantate “Ich freue mich in dir” (BWV 133)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Jauchzet Gott in allen Landen” (BWV 51)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Wachet auf, ruft uns die Stimme” (BWV 140)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMagnificat (BWV 243a)<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nSchottische, Irische und Walisische Lieder (Auswahl)<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Jan Brandts-Buys<\/strong><\/td>\n3 Lieder op. 20<\/td>\n<\/tr>\n
Giulio Caccini<\/strong><\/td>\nAl fonte, al prato<\/td>\n<\/tr>\n
\u00a0<\/td>\nAmor ch\u2018attendi<\/td>\n<\/tr>\n
John Cage<\/strong><\/td>\nSolo for Voice 2<\/td>\n<\/tr>\n
Andr\u00e9 Caplet<\/strong><\/td>\nViens! Une fl\u00fbte invisible soupire<\/td>\n<\/tr>\n
C\u00e9cile Chaminade<\/strong><\/td>\nPortrait \u201eValse chant\u00e9e\u201c<\/td>\n<\/tr>\n
John Corigliano<\/strong><\/td>\nThree Irish Folksong Settings<\/td>\n<\/tr>\n
L\u00e9o Delibes<\/strong><\/td>\nLe Rossignol<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/strong><\/td>\nRequiem op. 48<\/td>\n<\/tr>\n
Girolamo Frescobaldi<\/strong><\/td>\nCos\u00ec mi disprezzate, F 7.16<\/td>\n<\/tr>\n
\u00a0<\/td>\nSe l’aura spira tutta vezzosa, F 7.15<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel <\/strong><\/td>\nCrudel tiranno amor, HWV 97<\/td>\n<\/tr>\n
\u00a0<\/td>\nNeun Deutschen Arien, HWV 202\u2013210<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nMissa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa in Angustijs \u201eNelsonmesse\u201d, Hob. XXII: 11<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nDie Serenaden, Op.35<\/td>\n<\/tr>\n
Leonard K\u00fc\u00dfner<\/strong><\/td>\nEinsamkeit<\/td>\n<\/tr>\n
Franz Paul Lachner<\/strong><\/td>\nFrauen-Liebe und Leben, Op.59<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 4 in G-Dur<\/td>\n<\/tr>\n
Jules Massenet<\/strong><\/td>\n\u00c9l\u00e9gie<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKonzertarie “Nehmt meinen Dank, ihr holden G\u00f6nner\u201c, KV 383<\/td>\n<\/tr>\n
\u00a0<\/td>\nKonzertarie \u201eVorrei spiegarvi, oh Dio\u201c, KV 418<\/td>\n<\/tr>\n
\u00a0<\/td>\nVesperae solennes de Confessore, KV 339<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCarmina Burana<\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\n\u201eLa fl\u00fbte enchant\u00e9e\u201c aus Sh\u00e9h\u00e9razade<\/td>\n<\/tr>\n
Peter Ruzicka<\/strong><\/td>\n“DE…” \/ MUSAC Verbalkompositionen<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/strong><\/td>\nUne fl\u00fbte invisible<\/td>\n<\/tr>\n
Alessandro Scarlatti<\/strong><\/td>\nArie \u201ePi\u00f9 non m\u2018alletta e piace\u201c aus Giardino d’Amore<\/td>\n<\/tr>\n
Franz Schubert<\/strong><\/td>\nDer Hirt auf dem Felsen, D.965<\/td>\n<\/tr>\n
\u00a0<\/td>\nSalve Regina in F, D.379<\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nFr\u00fchlingsstimmen op. 410<\/td>\n<\/tr>\n
Georg Philipp Telemann<\/strong><\/td>\nArie \u201ePi\u00f9 del fiume d\u00e0 diletto\u201c aus Aesopus bei Hofe<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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Presse<\/h2>\n

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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
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[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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By Agentur<\/a><\/span>16. March 2026<\/abbr><\/span><\/div>
RADIANCE AND ROMANCE The CD Golden Age was awarded the OPER! AWARD in the category Best Solo Album at a gala in the Theater Regensburg on February 23, 2026. REVIEWS: BBC Radio 3 – featured on Record Review: \u201cThere\u2019s so much to like here including...<\/div>
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By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere The Fritjof Saga Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Andreas Herrmann pr\u00e4sentiert einen klangsch\u00f6nen, strahlenden Tenor… Die deutsche B\u00fchne by Andreas...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1655327500243{padding-top: 20px !important;}”]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”102958,102956,102954″ img_size=”200×200″ css=”.vc_custom_1692588172294{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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