{"id":102993,"date":"2023-02-21T14:35:08","date_gmt":"2023-02-21T13:35:08","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=102993"},"modified":"2026-09-07T22:51:36","modified_gmt":"2026-09-07T20:51:36","slug":"samantha-gaul-soprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/samantha-gaul-soprano\/","title":{"rendered":"Samantha Gaul (Soprano)"},"content":{"rendered":"

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Samantha Gaul<\/h2>\n

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Vita<\/h2>\n

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In the 2026\/27 season, Samantha Gaul expands her repertoire at Oper Leipzig with Susanna in a new production of Mozart\u2019s LE NOZZE DI FIGARO and several roles in Puccini\u2019s IL TRITTICO. In the latter, she appears as Lauretta, Suor Genovieffa and Amante. She also returns to the Leipzig stage as Musetta in LA BOH\u00c8ME, Pamina in DIE ZAUBERFL\u00d6TE, Frasquita in CARMEN, Despina in COS\u00cc FAN TUTTE and Zerlina in DON GIOVANNI.<\/p>\n

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She also continues to appear internationally this season. With the Budapest Festival Orchestra, she sings Pamina in DIE ZAUBERFL\u00d6TE in Budapest, Vicenza and Baden-Baden. Concert engagements include Poulenc\u2019s GLORIA at the Gewandhaus Leipzig and Mozart\u2019s GREAT MASS IN C MINOR, K. 427 at the Bachfest Leipzig in the Thomaskirche.<\/p>\n

 <\/p>\n

Samantha Gaul has been a member of the ensemble at Oper Leipzig since the 2022\/23 season. Her most recent roles there include Despina in a new production of COS\u00cc FAN TUTTE, Nannetta in a new production of FALSTAFF, Pamina, Musetta, Gretel in H\u00c4NSEL UND GRETEL, Woglinde in G\u00d6TTERD\u00c4MMERUNG, Frasquita and L\u2019Inconnue in the world premiere of COMING UP FOR AIR. Further roles in her Leipzig repertoire include Oriane in AMADIS DE GAULE, the Woodbird in SIEGFRIED, \u00c4nnchen in DER FREISCH\u00dcTZ, Madama Cortese in IL VIAGGIO A REIMS and Sophie in DER ROSENKAVALIER.<\/p>\n

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Guest engagements have taken Samantha Gaul to Komische Oper Berlin, where she appeared as Gretel and Nannetta, to the National Centre for the Performing Arts in Beijing as Adele in DIE FLEDERMAUS, as well as to Theater Basel, Staatstheater Darmstadt, B\u00fchnen Bern, Oper Frankfurt, Op\u00e9ra National de Montpellier and Deutsches Nationaltheater Weimar. At Staatstheater Augsburg, her roles have included Sophie Scholl in DIE WEISSE ROSE, Serpetta in LA FINTA GIARDINIERA, Adina in L\u2019ELISIR D\u2019AMORE and the title role in SIMPLICIUS SIMPLICISSIMUS.<\/p>\n

 <\/p>\n

She has developed an ongoing artistic collaboration with the Budapest Festival Orchestra under Iv\u00e1n Fischer. She previously appeared with the orchestra as Najade in ARIADNE AUF NAXOS at the B\u00e9la Bart\u00f3k National Concert Hall in Budapest and at the Teatro Olimpico in Vicenza. She made her debut at the Philharmonie Luxembourg in Mahler\u2019s Fourth Symphony under Carlo Rizzari.<\/p>\n

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Samantha Gaul is also active in concert and recital repertoire. Her appearances have included the Schwetzingen SWR Festival, Rheingau Musik Festival, Weilburger Schlosskonzerte and Schubertiade Hohenems, where she gave the world premiere of Kit Armstrong\u2019s Ulla-Hahn-Lieder with the composer at the piano. Further recent concert engagements include the New Year\u2019s concert with the Orchestra Sinfonica Siciliana in Palermo and Massenet\u2019s LA VIERGE with the Staatskapelle Halle.<\/p>\n

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From 2013 to 2022, Samantha Gaul was a member of the ensemble at Theater Freiburg, where her principal roles included Susanna in LE NOZZE DI FIGARO, Nannetta in FALSTAFF, Adele in DIE FLEDERMAUS, Zerlina in DON GIOVANNI, Musetta in LA BOH\u00c8ME and Olympia in LES CONTES D\u2019HOFFMANN. Particular attention was drawn to her performances in the title roles of Mark-Anthony Turnage\u2019s CORALINE in its German premiere and Jan\u00e1\u010dek\u2019s THE CUNNING LITTLE VIXEN, the latter of which she also recorded for NAXOS with the SWR.<\/p>\n

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In 2018, Samantha Gaul was nominated by Opernwelt magazine as \u201cYoung Artist of the Year\u201d. She studied voice at the Hochschule f\u00fcr Musik und Theater M\u00fcnchen and the Hochschule f\u00fcr Musik und Darstellende Kunst Frankfurt.<\/p>\n

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2026-08-31<\/em><\/p>\n

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Media<\/h2>\n

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Schubert: Romanze aus dem Schauspiel Rosamunde<\/h5>\n

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Repertoire<\/h2>\n

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OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bach, Johann Christian<\/strong><\/td>\nAMADIS, DER RITTER<\/td>\nOriane <\/em><\/td>\n<\/tr>\n
Franz Ignaz Beck<\/strong><\/td>\nL\u2018ISLE DE\u00b4SERTE<\/td>\nLaurette<\/em><\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\nFrasquita<\/em><\/td>\n<\/tr>\n
Benjamin Britten <\/strong><\/td>\nTHE TURN OF THE SCREW<\/td>\nFlora<\/em><\/td>\n<\/tr>\n
Francesco Cavalli<\/strong><\/td>\nLA CALISTO<\/td>\nLinfea<\/em><\/td>\n<\/tr>\n
Peter Maxwell Davies<\/strong><\/td>\nKOMMILITONEN!<\/td>\nDoctor<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMR EMMET TAKES A WALK<\/td>\nKa<\/em><\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nL’ELISIR D’AMORE<\/td>\nAdina<\/em><\/td>\n<\/tr>\n
Franke<\/strong><\/td>\nCOMING UP FOR AIR<\/td>\nL’Inconnue<\/em><\/td>\n<\/tr>\n
Karl Amadeus Hartmann<\/strong><\/td>\nSIMPLICIUS SIMPLICISSIMUS<\/td>\nSimplicius Simplicissimus<\/em><\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nL’ISOLA DISABITATA<\/td>\nSilvia<\/em><\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nGretel, Sandm\u00e4nnchen, Taum\u00e4nnchen<\/em><\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN (P\u0159\u00edhody li\u0161ky Bystrou\u0161ky)<\/td>\nF\u00fcchsin (Li\u0161ak)<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJENUFA (Jeji pastorkyna)<\/td>\nJano<\/em><\/td>\n<\/tr>\n
Marius Felix Lange<\/strong><\/td>\nSCHNEEWITTCHEN<\/td>\nPassantin 2, Tier 1, Zwerg Klecks<\/em><\/td>\n<\/tr>\n
Geno\u00ebl von Lilienstern<\/strong><\/td>\nSPEERE STEIN KLAVIER<\/td>\nTochter<\/em><\/td>\n<\/tr>\n
Jules Massenet<\/strong><\/td>\nWERTHER<\/td>\nSophie<\/em><\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nPamina
\n<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nZerlina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA FINTA GIARDINIERA<\/td>\nSerpetta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nSusanna<\/em><\/td>\n<\/tr>\n
Jacques Offenbach<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\nOlympia<\/em><\/td>\n<\/tr>\n
Francis Poulenc<\/strong><\/td>\nLES DIALOGUES DES CARMELITES<\/td>\nSoeur Constance<\/em><\/td>\n<\/tr>\n
Giacomo Puccini<\/strong><\/td>\nLA BOH\u00c8ME<\/td>\nMusetta<\/em><\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\nL’ENFANT ET LES SORTILEGES<\/td>\nLe Feu<\/em><\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nAdele<\/em><\/td>\n<\/tr>\n
Richard Strauss<\/strong><\/td>\nARIADNE AUF NAXOS,<\/td>\nNajade<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nSophie<\/em><\/td>\n<\/tr>\n
Hans Thomalla<\/strong><\/td>\nKASPAR HAUSER<\/td>\nAnna Daumer, Frau Binder, Henriette Meyer<\/em><\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nNanetta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nAnnina<\/em><\/td>\n<\/tr>\n
Carl Maria von Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\n\u00c4nnchen<\/em><\/td>\n<\/tr>\n
Kurt Weill<\/strong><\/td>\nLOVE LIFE<\/td>\nMary Sue, Miss Ideal Man<\/em><\/td>\n<\/tr>\n
Michael Wertm\u00fcller<\/strong><\/td>\nDIODATI.UNENDLICH<\/td>\nAugusta Leigh<\/em><\/td>\n<\/tr>\n
Udo Zimmermann<\/strong><\/td>\nDIE WEI\u00dfE ROSE<\/td>\nSophie Scholl<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nKantate “Ich freue mich in dir” (BWV 133)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Jauchzet Gott in allen Landen” (BWV 51)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Wachet auf, ruft uns die Stimme” (BWV 140)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMagnificat (BWV 243a)<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nSchottische, Irische und Walisische Lieder (Auswahl)<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Jan Brandts-Buys<\/strong><\/td>\n3 Lieder op. 20<\/td>\n<\/tr>\n
Max Bruch<\/strong><\/td>\nOdysseus op. 41<\/td>\n<\/tr>\n
Giulio Caccini<\/strong><\/td>\nAl fonte, al prato<\/td>\n<\/tr>\n
\u00a0<\/td>\nAmor ch\u2018attendi<\/td>\n<\/tr>\n
John Cage<\/strong><\/td>\nSolo for Voice 2<\/td>\n<\/tr>\n
Andr\u00e9 Caplet<\/strong><\/td>\nViens! Une fl\u00fbte invisible soupire<\/td>\n<\/tr>\n
C\u00e9cile Chaminade<\/strong><\/td>\nPortrait \u201eValse chant\u00e9e\u201c<\/td>\n<\/tr>\n
John Corigliano<\/strong><\/td>\nThree Irish Folksong Settings<\/td>\n<\/tr>\n
L\u00e9o Delibes<\/strong><\/td>\nLe Rossignol<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/strong><\/td>\nRequiem op. 48<\/td>\n<\/tr>\n
Girolamo Frescobaldi<\/strong><\/td>\nCos\u00ec mi disprezzate, F 7.16<\/td>\n<\/tr>\n
\u00a0<\/td>\nSe l’aura spira tutta vezzosa, F 7.15<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel <\/strong><\/td>\nCrudel tiranno amor, HWV 97<\/td>\n<\/tr>\n
\u00a0<\/td>\nNeun Deutschen Arien, HWV 202\u2013210<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nMissa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa in Angustijs \u201eNelsonmesse\u201d, Hob. XXII: 11<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nDie Serenaden, Op.35<\/td>\n<\/tr>\n
Leonard K\u00fc\u00dfner<\/strong><\/td>\nEinsamkeit<\/td>\n<\/tr>\n
Franz Paul Lachner<\/strong><\/td>\nFrauen-Liebe und Leben, Op.59<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 4 in G-Dur<\/td>\n<\/tr>\n
Jules Massenet<\/strong><\/td>\n\u00c9l\u00e9gie<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKonzertarie “Nehmt meinen Dank, ihr holden G\u00f6nner\u201c, KV 383<\/td>\n<\/tr>\n
\u00a0<\/td>\nKonzertarie \u201eVorrei spiegarvi, oh Dio\u201c, KV 418<\/td>\n<\/tr>\n
\u00a0<\/td>\nVesperae solennes de Confessore, KV 339<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCarmina Burana<\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\n\u201eLa fl\u00fbte enchant\u00e9e\u201c aus Sh\u00e9h\u00e9razade<\/td>\n<\/tr>\n
Peter Ruzicka<\/strong><\/td>\n“DE…” \/ MUSAC Verbalkompositionen<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/strong><\/td>\nUne fl\u00fbte invisible<\/td>\n<\/tr>\n
Alessandro Scarlatti<\/strong><\/td>\nArie \u201ePi\u00f9 non m\u2018alletta e piace\u201c aus Giardino d’Amore<\/td>\n<\/tr>\n
Franz Schubert<\/strong><\/td>\nDer Hirt auf dem Felsen, D.965<\/td>\n<\/tr>\n
\u00a0<\/td>\nSalve Regina in F, D.379<\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nFr\u00fchlingsstimmen op. 410<\/td>\n<\/tr>\n
Georg Philipp Telemann<\/strong><\/td>\nArie \u201ePi\u00f9 del fiume d\u00e0 diletto\u201c aus Aesopus bei Hofe<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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OPER LEIPZIG – LA BOH\u00c8ME<\/a><\/h3>Samantha Gaul<\/a><\/span><\/div><\/div><\/div>

OPER LEIPZIG – LA BOH\u00c8ME<\/a><\/h3>
By Agentur<\/a><\/span>25. September 2026<\/abbr><\/span>Samantha Gaul<\/a><\/span><\/div>
Samantha Gaul | Musetta<\/div>
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K\u00d6LNER M\u00c4NNER-GESANG-VEREIN – CONCERT<\/a><\/h3>Samantha Gaul<\/a><\/span><\/div><\/div><\/div>

K\u00d6LNER M\u00c4NNER-GESANG-VEREIN – CONCERT<\/a><\/h3>
By Agentur<\/a><\/span>12. June 2026<\/abbr><\/span>Samantha Gaul<\/a><\/span><\/div>
Samantha Gaul | Nausikaa<\/div>
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STAATSKAPELLE HALLE – 8TH SYMPHONY CONCERT<\/a><\/h3>Samantha Gaul<\/a><\/span><\/div><\/div><\/div>

STAATSKAPELLE HALLE – 8TH SYMPHONY CONCERT<\/a><\/h3>
By Agentur<\/a><\/span>24. April 2026<\/abbr><\/span>Samantha Gaul<\/a><\/span><\/div>
Samantha Gaul | Soprano<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
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OPER LEIPZIG – CARMEN<\/a><\/h3>Samantha Gaul<\/a><\/span><\/div><\/div><\/div>

OPER LEIPZIG – CARMEN<\/a><\/h3>
By Agentur<\/a><\/span>16. April 2026<\/abbr><\/span>Samantha Gaul<\/a><\/span><\/div>
Samantha Gaul | Frasquita<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”presse” in_content_menu=”in_content_menu” content_menu_title=”PRESSE” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Presse<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
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RICHARD STRAUSS \u2013 INTERMEZZO<\/a><\/h3>
By Agentur<\/a><\/span>9. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_single_image image=”109998″ img_size=”large” alignment=”center” css=”” qode_css_animation=””][vc_custom_heading text=”Richard STRAUSS (1864\u20131949) Intermezzo A bourgeois comedy with symphonic interludes in two acts (1924) Libretto by the composer” font_container=”tag:h4|text_align:left” google_fonts=”font_family:Balthazar%3Aregular|font_style:400%20regular%3A400%3Anormal” css=””][vc_column_text css=””] Richard Strauss summed up his two-act opera Intermezzo as a \u2018bourgeois comedy...<\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1655327500243{padding-top: 20px !important;}”]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”110122,110123,110124,110125,110126,110127,110128,110120″ img_size=”200×200″ css=”.vc_custom_1783414489150{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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