{"id":102620,"date":"2023-01-05T14:48:31","date_gmt":"2023-01-05T13:48:31","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=102620"},"modified":"2026-09-07T09:48:02","modified_gmt":"2026-09-07T07:48:02","slug":"dominic-limburg-conductor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/dominic-limburg-conductor\/","title":{"rendered":"Dominic Limburg (Conductor)"},"content":{"rendered":"

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Dominic Limburg<\/h2>\n

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Vita<\/h2>\n

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In the 2026\/27 season, Dominic Limburg\u2019s engagements span opera, ballet and the concert platform at leading companies and with orchestras in Germany and Scandinavia. He conducts H\u00c4NSEL UND GRETEL at Staatsoper Stuttgart and MY FAIR LADY at Deutsche Oper am Rhein, and leads a new production of Tchaikovsky\u2019s THE NUTCRACKER with Staatsballett Berlin. Further engagements include a symphonic concert with the Robert Schumann Philharmonic in Chemnitz and a guest engagement at Norrlandsoperan in Ume\u00e5.<\/p>\n

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Opera and music theatre are at the heart of Limburg\u2019s artistic work. Recent engagements include AIDA at the Teatro de la Maestranza in Seville, EUGENE ONEGIN for Northern Ireland Opera, DER FLIEGENDE HOLL\u00c4NDER at the Deutsches Nationaltheater Weimar and DER FREISCH\u00dcTZ at the Oldenburgisches Staatstheater. He also returns regularly to Deutsche Oper Berlin, where he served as Kapellmeister from 2021 to 2024 and has conducted works including LA TRAVIATA, I VESPRI SICILIANI, DER FLIEGENDE HOLL\u00c4NDER, AIDA and Detlev Glanert\u2019s DIE DREI R\u00c4TSEL. Further engagements have included LA BOH\u00c8ME at Theater Chemnitz and IL VIAGGIO A REIMS with the International Opera Studio at Opernhaus Z\u00fcrich.<\/p>\n

 <\/p>\n

Ballet and symphonic repertoire form another important strand of Limburg\u2019s work. With Staatsballett Berlin and Staatskapelle Berlin, he conducted the world premiere of WINTERREISE after Schubert\/Zender and has returned for further productions including NUREJEW and WINTERREISE. His concert engagements have taken him to the Munich Radio Orchestra, Beethoven Orchester Bonn, Robert Schumann Philharmonic in Chemnitz, Sinfonieorchester Biel Solothurn, Neubrandenburger Philharmonie, Kurpf\u00e4lzisches Kammerorchester Mannheim and Kammerphilharmonie Graub\u00fcnden. Since 2019, he has served as Chief Conductor of the Zurich Chamber Philharmonic. He has also toured with the Swiss Youth Symphony Orchestra in Shostakovich\u2019s Symphony No. 10, with performances including the Tonhalle Zurich and Victoria Hall Geneva as well as concerts in Basel and Bern.<\/p>\n

 <\/p>\n

Limburg laid the foundations for his wide-ranging opera, ballet and concert repertoire at the Badisches Staatstheater Karlsruhe, where he was engaged from 2016 to 2021, initially as Second Kapellmeister and later as First Kapellmeister. There he conducted repertoire spanning the Baroque to contemporary music, including LES CONTES D\u2019HOFFMANN, ANNA BOLENA, THE CUNNING LITTLE VIXEN, LA CLEMENZA DI TITO and SWAN LAKE, as well as the world premiere of Avner Dorman\u2019s commissioned work WAHNFRIED.<\/p>\n

 <\/p>\n

His collaboration with Sir Donald Runnicles at Deutsche Oper Berlin was particularly formative in his exploration of the German repertoire and Wagner in particular. As Runnicles\u2019 assistant, Limburg worked on new productions of G\u00d6TTERD\u00c4MMERUNG directed by Stefan Herheim, DIE MEISTERSINGER VON N\u00dcRNBERG by Jossi Wieler and FIDELIO by David Hermann, as well as revivals of LOHENGRIN, TRISTAN UND ISOLDE and DER FLIEGENDE HOLL\u00c4NDER.<\/p>\n

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Born in Zurich and of Spanish heritage, Dominic Limburg began his musical training as a member of the Zurich Boys\u2019 Choir. He subsequently studied piano and voice at the Zurich University of the Arts before completing his master\u2019s degree with distinction in the conducting class of Prof. Johannes Schlaefli. Further artistic influences include masterclasses with Bernard Haitink, Esa-Pekka Salonen and David Zinman, as well as his long-standing collaboration with Justin Brown at the Badisches Staatstheater Karlsruhe. From 2015 to 2021, Limburg was a scholarship holder of the German Music Council\u2019s Forum Dirigieren and was selected for its \u201cMaestros von Morgen\u201d programme.<\/p>\n

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2026-08-31<\/em><\/p>\n

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Media<\/h2>\n

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Sergey Tanin \u2013 BRAHMS \u2013 Piano Concerto No. 1 in D minor, Op. 15 \u2013 2nd Movement<\/h5>\n

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Sergey Tanin \u2013 Brahms \u2013 Piano Concerto No. 1 in D minor, Op. 15 \u2013 3rd Movement<\/h5>\n

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NUREYEV | Yuri Possokhov & Kirill Serebrennikov | Trailer | Berlin State Ballet<\/h5>\n<\/div>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Samuel Barber<\/strong><\/td>\nA HAND OF BRIDGE op. 35<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nFIDELIO<\/td>\n<\/tr>\n
Alban Berg<\/strong><\/td>\nWOZZECK<\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\n<\/tr>\n
Ilya Demutsky<\/strong><\/td>\nNUREJEV (Ballet)<\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nANNA BOLENA<\/td>\n<\/tr>\n
\u00a0<\/td>\nL’ELISIR D’AMORE<\/td>\n<\/tr>\n
\u00a0<\/td>\nROBERTO DEVEREUX<\/td>\n<\/tr>\n
Avner Dorman <\/strong><\/td>\nWAHNFRIED<\/td>\n<\/tr>\n
Nico Dostal<\/strong><\/td>\nNOFRETETE<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel
\n<\/strong><\/td>\n		ALCINA<\/td>\n<\/tr>\n
Engelbert Humperdinck <\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\n<\/tr>\n
Leos Jan\u00e1cek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN<\/td>\n<\/tr>\n
Franz Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\n<\/tr>\n
Ruggero Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/span><\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDON GIOVANNI<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIL REPASTORE<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLA CLEMENZA DI TITO<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLUCIO SILLA<\/td>\n<\/tr>\n
Jacques Offenbach<\/span>
\n<\/span><\/strong><\/td>\n		LES CONTES D’HOFFMANN<\/td>\n<\/tr>\n
Carl Orff<\/span><\/strong><\/td>\nCARMINA BURANA<\/td>\n<\/tr>\n
Giovanni Battista Pergolesi<\/span><\/strong><\/td>\nLA SERVA PADRONA<\/td>\n<\/tr>\n
Amilcare Ponchielli<\/span><\/strong><\/td>\nLA GIOCONDA<\/td>\n<\/tr>\n
Giacomo Puccini<\/span><\/strong><\/td>\nLA BOH\u00c8ME<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nTOSCA<\/td>\n<\/tr>\n
Gioachino Rossini<\/span><\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIL VIAGGIO A REIMS<\/td>\n<\/tr>\n
Bedrich Smetana<\/span><\/strong><\/td>\nDIE VERKAUFTE BRAUT<\/td>\n<\/tr>\n
Stephen Storace<\/span><\/strong><\/td>\nGLI EQUIVOCI<\/td>\n<\/tr>\n
Oscar Straus<\/strong><\/td>\nDIE LUSTIGEN NIBELUNGEN<\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\n<\/tr>\n
Richard Strauss
\n<\/strong><\/td>\n		INTERMEZZO<\/td>\n<\/tr>\n
Pjotr Iljitsch Tschaikowski<\/span><\/strong><\/td>\nEUGEN ONEGIN<\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nAIDA<\/td>\n<\/tr>\n
\u00a0<\/td>\nDON CARLO<\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\n<\/tr>\n
\u00a0<\/td>\nLES V\u00caPRES SICILIENNES<\/td>\n<\/tr>\n
\u00a0<\/td>\nREQUIEM (szenisch)<\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\n<\/tr>\n
\u00a0<\/td>\nSIEGFRIED<\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\n<\/tr>\n
Hans Zender<\/strong><\/td>\nWINTERREISE (Ballet)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Gra\u017cyna Bacewicz\u00a0<\/strong><\/td>\nOverture for Orchestra (1943)<\/td>\n<\/tr>\n
Johann Sebastian Bach<\/strong><\/td>\nOrchestersuite Nr. 3 D-Dur BWV 1068<\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/strong><\/td>\nDivertimento f\u00fcr Streichorchester, Sz 113<\/td>\n<\/tr>\n
\u00a0<\/td>\nUngarische Skizzen \u2013 F\u00fcnf Bilder aus Ungarn Sz 97<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nCoriolan-Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nDie Gesch\u00f6pfe des Prometheus op. 43<\/td>\n<\/tr>\n
\u00a0<\/td>\nEgmont-Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nKonzert f\u00fcr Klavier, Violine, Violoncello und Orchester C-Dur op.56 “Tripelkonzert”<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 1, 2, 3, 4, 5, 6, 8<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinromanze Nr. 1 G-Dur, op. 40<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinromanze Nr. 2 F-Dur, op. 50<\/td>\n<\/tr>\n
Alban Berg<\/strong><\/td>\nKammerkonzert f\u00fcr Klavier und Geige mit 13 Bl\u00e4sern<\/td>\n<\/tr>\n
Hector Berlioz<\/strong><\/td>\nSymphonie fantastique op. 14<\/td>\n<\/tr>\n
Giovanni Bottesini<\/strong><\/td>\nKonzert h-Moll f\u00fcr Kontrabass und Orchester<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nSinfonie Nr. 1, 2, 3<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert in D-Dur op. 77<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nFour Sea Interludes from Peter Grimes op. 33a<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonietta, op.\u00a01<\/td>\n<\/tr>\n
Anton Bruckner<\/strong><\/td>\nSinfonie Nr. 4, 7, 8<\/td>\n<\/tr>\n
Ernest Chausson<\/span><\/strong><\/td>\nPo\u00e8me de l’amour et de la mer<\/td>\n<\/tr>\n
Fr\u00e9d\u00e9ric Chopin<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 f-Moll op. 21<\/td>\n<\/tr>\n
George Crumb<\/span><\/strong><\/td>\nStar-Child<\/td>\n<\/tr>\n
Ferdinand David
\n<\/span><\/strong><\/td>\n		Concertino Es-Dur op.4 f\u00fcr Posaune und Orchester<\/td>\n<\/tr>\n
Claude Debussy<\/strong><\/td>\nDanse Sacr\u00e9e et Danse Profane<\/td>\n<\/tr>\n
\u00a0<\/td>\nLa Mer<\/td>\n<\/tr>\n
\u00a0<\/td>\nL’apr\u00e8s-midi d’un faune<\/td>\n<\/tr>\n
Henri Dutilleux<\/strong><\/td>\nThe Shadows of Time<\/td>\n<\/tr>\n
\u00a0<\/td>\nTout un monde lointain<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nConcerto for Violoncello and Orchestra in B minor op. 104<\/td>\n<\/tr>\n
\u00a0<\/td>\nOthello, op.93<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 7\u00a0in\u00a0D minor,\u00a0Op.\u00a070,\u00a0B.\u00a0141<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 8\u00a0in\u00a0G major,\u00a0Op.\u00a088,\u00a0B.\u00a0163<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 9\u00a0in\u00a0E minor, “From the New World”,\u00a0Op.\u00a095,\u00a0B.\u00a0178<\/td>\n<\/tr>\n
\u00a0<\/td>\nSlavonic Dances<\/td>\n<\/tr>\n
Edward Elgar<\/strong><\/td>\nCellokonzert e-Moll op. 85<\/td>\n<\/tr>\n
Richard Fuchs<\/strong><\/td>\nVom j\u00fcdischen Schicksal (Kantate f\u00fcr Soli, Chor und Orchester)<\/td>\n<\/tr>\n
P\u00e9ter E\u00f6tv\u00f6s<\/strong><\/td>\nConversation with Mozart<\/td>\n<\/tr>\n
Edvard Grieg<\/strong><\/td>\nHolberg Suite, op. 40<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert a-Moll op. 16<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nCellokonzert Nr. 2 in D-Dur Hob. VIIb:2<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 102 B-Dur Hob.I:102<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 104 D-Dur Hob.I:104<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong><\/td>\nSuite f\u00fcr Streichorchester<\/td>\n<\/tr>\n
Lars-Erik Larsson<\/strong><\/td>\nConcertino op.45 f\u00fcr Kontrabass und Streichorchester<\/td>\n<\/tr>\n
Ludwig August Lebrun<\/strong><\/td>\nOboenkonzert d-Moll<\/td>\n<\/tr>\n
\u00a0Franz Liszt<\/strong><\/td>\nKlavierkonzert Nr. 1 in Es-Dur<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 1 D-Dur<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nDoppelkonzert d-Moll MWV 04<\/td>\n<\/tr>\n
\u00a0<\/td>\nEin Sommernachtstraum<\/td>\n<\/tr>\n
\u00a0<\/td>\nMeeresstille und Gl\u00fcckliche Fahrt op. 27<\/td>\n<\/tr>\n
\u00a0<\/td>\nRuy Blas Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 5 in D-Dur\/d-Moll op. 107, \u201eReformations-Sinfonie\u201c<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert d-Moll<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert e-Moll op. 64<\/td>\n<\/tr>\n
Olivier Messiaen<\/strong><\/td>\n\u00c9clairs sur l\u2019Au-del\u00e0<\/td>\n<\/tr>\n
\u00a0<\/td>\nLes Offrandes oubli\u00e9es<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nFl\u00f6tenkonzert G-Dur KV 313 (285c)<\/td>\n<\/tr>\n
\u00a0<\/td>\nHornkonzert Nr. 3 KV 447<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert Nr. 20 d-Moll KV 466<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert Nr. 25 C-Dur KV 503<\/td>\n<\/tr>\n
\u00a0<\/td>\nSerenade Nr. 13 f\u00fcr Streicher in G-Dur KV 525 (“Eine kleine Nachtmusik”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 35 in D-Dur KV 385 (\u201eHaffner-Sinfonie\u201c)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 36 C-Dur KV 425 (“Linzer-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 38 in D-Dur KV 504 (“Prager-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 39 in Es-Dur KV 534<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 40 in g-Moll KV 550<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 41 C-Dur KV 551 (“Jupiter-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert Nr. 5 A-Dur KV 219<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert Nr. 6 e-Moll KV 268<\/td>\n<\/tr>\n
Ignacy Jan Paderewski<\/strong><\/td>\nPiano Concerto in A Minor, Op.17<\/td>\n<\/tr>\n
Francis Poulenc<\/strong><\/td>\nKonzert g-Moll f\u00fcr Orgel, Streicher und Pauken<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonietta<\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nOuvert\u00fcre \u00fcber hebr\u00e4ische Themen op.34<\/td>\n<\/tr>\n
Sergei Rachmaninow<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2, op. 18, c-Moll<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 2 e-Moll op. 27<\/td>\n<\/tr>\n
Maurice Ravel
\n<\/span><\/strong><\/td>\n		Ma m\u00e8re l\u2019Oye<\/td>\n<\/tr>\n
Eugen Adolf Reiche<\/strong><\/td>\nPosaunenkonzert<\/td>\n<\/tr>\n
Ottorino Respighi<\/strong><\/td>\nAntiche Danze ed Arie<\/td>\n<\/tr>\n
Gioachino Rossini<\/span><\/strong><\/td>\nConcerto per fagotto ed orchestra<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/span><\/strong><\/td>\nHavanaise op. 83<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIntroduction et Rondo Capriccioso f\u00fcr Violine und Orchester, op. 28<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 3 in c-Moll, op. 78<\/td>\n<\/tr>\n
Antonio Salieri<\/span><\/strong><\/td>\nKonzert f\u00fcr Fl\u00f6te, Oboe und Orchester C-Dur<\/td>\n<\/tr>\n
Pablo de Sarasate <\/span><\/strong><\/td>\nIntroduktion und Tarantella op. 43<\/td>\n<\/tr>\n
Arnold Sch\u00f6nberg<\/span><\/strong><\/td>\nKammersymphonie Nr. 1 E-Dur op. 9<\/td>\n<\/tr>\n
Dmitri Schostakowitsch<\/span><\/strong><\/td>\nDas goldene Zeitalter<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 F-Dur, op. 102<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 in f-Moll, op. 10<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 10 in e-Moll, op. 93<\/td>\n<\/tr>\n
Franz Schubert
\n<\/span><\/strong><\/td>\n		Sinfonie Nr. 5 B-Dur D 485<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 7 h-Moll, D.759 “Die Unvollendete”<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 8 C-Dur D 944 “Gro\u00dfe Sinfonie C-Dur”<\/td>\n<\/tr>\n
Robert Schumann
\n<\/span><\/strong><\/td>\n		Klavierkonzert a-Moll op. 54<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert a-Moll op. 54<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 B-Dur op. 38<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 2 C-Dur op. 61<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 4 in d-Moll op. 120<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nViolinkonzert d-Moll<\/td>\n<\/tr>\n
Emmanuel S\u00e9journ\u00e9 <\/span><\/strong><\/td>\nKonzert f\u00fcr Marimba & Orchester<\/td>\n<\/tr>\n
Jean Sibelius<\/span><\/strong><\/td>\nDer Schwan von Tuonela<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKarelia-Suite op. 11<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 e-Moll, op. 39<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nValse triste op. 44<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nViolinkonzert d-Moll op. 47<\/td>\n<\/tr>\n
Johann Strau\u00df<\/span><\/strong><\/td>\nWalzer und Polkas<\/td>\n<\/tr>\n
Richard Strauss
\n<\/span><\/strong><\/td>\n		Konzert f\u00fcr Horn und Orchester Nr. 2 Es-Dur, o. Op., AV 132<\/td>\n<\/tr>\n
\u00a0<\/td>\nRomanze f\u00fcr Cello und Orchester<\/td>\n<\/tr>\n
Igor Strawinsky<\/span><\/strong><\/td>\nDer Feuervogel (Suite 1919)<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDumbarton Oaks<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 F-Dur, op. 102<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLe sacre du printemps<\/td>\n<\/tr>\n
Pjotr Tschaikowski
\n<\/span><\/strong><\/td>\n		Sinfonie Nr. 5 e-Moll op. 64<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 6 h-Moll op. 74 \u201ePath\u00e9tique\u201d<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert, D-Dur, op. 35<\/td>\n<\/tr>\n
Antonio Vivaldi <\/strong><\/td>\nKonzert f\u00fcr zwei Trompeten C-Dur op. 46 RV 537<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nSiegfried Idyll<\/td>\n<\/tr>\n
Carl Maria von Weber <\/strong><\/td>\nKlarinettenkonzert Nr. 1 f-Moll op. 73<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=”” css=”.vc_custom_1692068483910{padding-bottom: 50px !important;}”][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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NORDLANDSOPERAN – MALANDAIN BALLET<\/a><\/h3>Dominic Limburg<\/a><\/span><\/div><\/div><\/div>

NORDLANDSOPERAN – MALANDAIN BALLET<\/a><\/h3>
By Agentur<\/a><\/span>23. September 2026<\/abbr><\/span>Dominic Limburg<\/a><\/span><\/div>
Dominic Limburg | Conductor<\/div>
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ROBERT-SCHUMANN-PHILHARMONIE – 2. SINFONIEKONZERT<\/a><\/h3>Dominic Limburg<\/a><\/span><\/div><\/div><\/div>

ROBERT-SCHUMANN-PHILHARMONIE – 2. SINFONIEKONZERT<\/a><\/h3>
By Agentur<\/a><\/span>14. September 2026<\/abbr><\/span>Dominic Limburg<\/a><\/span><\/div>
Dominic Limburg\u00a0| Conductor<\/div>
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FESTIVAL INTERNACIONAL DE M\u00daSICA Y DANZA – AIDA<\/a><\/h3>Dominic Limburg<\/a><\/span><\/div><\/div><\/div>

FESTIVAL INTERNACIONAL DE M\u00daSICA Y DANZA – AIDA<\/a><\/h3>
By Agentur<\/a><\/span>1. July 2026<\/abbr><\/span>Dominic Limburg<\/a><\/span><\/div>
Dominic Limburg | Musical Direction<\/div>
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EUTSCHE OPER BERLIN – LA BOH\u00c8ME<\/a><\/h3>Dominic Limburg<\/a><\/span><\/div><\/div><\/div>

EUTSCHE OPER BERLIN – LA BOH\u00c8ME<\/a><\/h3>
By Agentur<\/a><\/span>10. June 2026<\/abbr><\/span>Dominic Limburg<\/a><\/span><\/div>
Dominic Limburg | Conductor<\/div>
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Presse<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
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RICHARD STRAUSS \u2013 INTERMEZZO<\/a><\/h3>
By Agentur<\/a><\/span>9. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_single_image image=”109998″ img_size=”large” alignment=”center” css=”” qode_css_animation=””][vc_custom_heading text=”Richard STRAUSS (1864\u20131949) Intermezzo A bourgeois comedy with symphonic interludes in two acts (1924) Libretto by the composer” font_container=”tag:h4|text_align:left” google_fonts=”font_family:Balthazar%3Aregular|font_style:400%20regular%3A400%3Anormal” css=””][vc_column_text css=””] Richard Strauss summed up his two-act opera Intermezzo as a \u2018bourgeois comedy...<\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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Fotos<\/h2>\n

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[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Dominic Limburg [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] In the 2026\/27…<\/p>\n","protected":false},"author":4,"featured_media":106097,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-102620","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=102620"}],"version-history":[{"count":48,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102620\/revisions"}],"predecessor-version":[{"id":110266,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102620\/revisions\/110266"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/106097"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=102620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}