{"id":102620,"date":"2023-01-05T14:48:31","date_gmt":"2023-01-05T13:48:31","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=102620"},"modified":"2026-03-23T09:31:03","modified_gmt":"2026-03-23T08:31:03","slug":"dominic-limburg-conductor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/dominic-limburg-conductor\/","title":{"rendered":"Dominic Limburg (Conductor)"},"content":{"rendered":"

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Dominic Limburg<\/h2>\n

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Vita<\/h2>\n

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In the 2025\/26 season, Dominic Limburg will make his concert debut with the Munich Radio Orchestra, conduct the new production of Detlev Glanert\u2019s Die drei R\u00e4tsel<\/em> at the Deutsche Oper Berlin, lead symphony concerts at the Oldenburg State Theatre and with the Biel Solothurn Symphony Orchestra, the revival of Winterreise<\/em> with the Staatsballett Berlin, and the award-winning ballet Nurejew<\/em> at the Deutsche Oper Berlin. He will also conduct performances of Die Zauberfl\u00f6te<\/em> and Verdi\u2019s Aida<\/em> at the Deutsche Oper Berlin during the season.<\/p>\n

 <\/p>\n

In 2024\/25 he conducted, among others, a new production of Tchaikovsky\u2019s Eugene Onegin<\/em> at Northern Ireland Opera; La traviata<\/em>, I vespri siciliani<\/em> and Der fliegende Holl\u00e4nder<\/em> at the Deutsche Oper Berlin; Puccini\u2019s La Boh\u00e8me<\/em> at the Chemnitz Theatre; the premiere of Winterreise<\/em> (after Zender\/Schubert) with the Staatsballett Berlin and the Staatskapelle Berlin; The Nutcracker<\/em> at the Badisches Staatstheater Karlsruhe; Rossini\u2019s Il viaggio a Reims<\/em> with the International Opera Studio of Zurich Opera House; Wagner\u2019s Der fliegende Holl\u00e4nder<\/em> at the Deutsches Nationaltheater Weimar; and Weber\u2019s Der Freisch\u00fctz<\/em> at the Oldenburg State Theatre.<\/p>\n

 <\/p>\n

From 2021 to 2024, the Swiss conductor served as Kapellmeister at the Deutsche Oper Berlin, where he conducted a wide-ranging repertoire from Verdi, Puccini, and Bizet to Wagner, Mozart, and Humperdinck, including La traviata<\/em>, Rigoletto<\/em>, Verdi\u2019s Requiem<\/em>, La Boh\u00e8me<\/em>, Die Zauberfl\u00f6te<\/em>, H\u00e4nsel und Gretel<\/em> (also on tour to the Royal Opera House Muscat), Carmen<\/em>, Les v\u00eapres siciliennes<\/em>, Der fliegende Holl\u00e4nder<\/em>, and Fidelio<\/em>.<\/p>\n

 <\/p>\n

Prior to that, from 2016 to 2021, he was engaged at the Badisches Staatstheater Karlsruhe, first as Second Kapellmeister and from 2020 as First Kapellmeister. There he led opera, ballet, and concert productions from the Baroque to contemporary music, including Swan Lake<\/em>, A Midsummer Night\u2019s Dream<\/em>, Die lustigen Nibelungen<\/em>, The Tales of Hoffmann<\/em>, Anna Bolena<\/em>, The Cunning Little Vixen<\/em>, La clemenza di Tito<\/em>, and the world premiere of Avner Dorman\u2019s commissioned work Wahnfried<\/em>.<\/p>\n

 <\/p>\n

As Assistant to Sir Donald Runnicles, he was deeply involved in the Deutsche Oper Berlin\u2019s great Wagner tradition, working on productions such as G\u00f6tterd\u00e4mmerung<\/em> (Stefan Herheim), Die Meistersinger von N\u00fcrnberg<\/em> (Jossi Wieler), and Fidelio<\/em> (David Herrmann), as well as revivals of Lohengrin<\/em>, Tristan und Isolde<\/em>, and Der fliegende Holl\u00e4nder<\/em>.<\/p>\n

 <\/p>\n

Guest engagements have taken him to the Beethoven Orchester Bonn, Neubrandenburger Philharmonie, Kurpf\u00e4lzisches Kammerorchester Mannheim, Kammerphilharmonie Graub\u00fcnden, and the Meiningen State Theatre, as well as regular work with youth orchestras, including the 2021 national tour of the Swiss Youth Symphony Orchestra with Shostakovich\u2019s Symphony No. 10, with performances in the Tonhalle Zurich, Victoria Hall Geneva, and the Stadtcasinos of Basel and Bern. Since 2019 he has served as Chief Conductor of the Zurich Chamber Philharmonic.<\/p>\n

 <\/p>\n

Born in Zurich to Spanish heritage, Limburg was a member of the Zurich Boys\u2019 Choir before studying piano and voice at the Zurich University of the Arts, where he completed his master\u2019s degree with distinction in the conducting class of Professor Schlaefli. He received further inspiration from masterclasses with Bernard Haitink, Esa-Pekka Salonen, and David Zinman, as well as from his long-standing work as Assistant to Justin Brown in Karlsruhe. From 2015 to 2021 he was a scholarship holder of the German Music Council\u2019s \u201cForum Dirigieren\u201d and was included in its \u201cMaestros of Tomorrow\u201d list.<\/p>\n

 <\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Samuel Barber<\/strong><\/td>\nA HAND OF BRIDGE op. 35<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nFIDELIO<\/td>\n<\/tr>\n
Alban Berg<\/strong><\/td>\nWOZZECK<\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\n<\/tr>\n
Ilya Demutsky<\/strong><\/td>\nNUREJEV (Ballet)<\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nANNA BOLENA<\/td>\n<\/tr>\n
\u00a0<\/td>\nL’ELISIR D’AMORE<\/td>\n<\/tr>\n
\u00a0<\/td>\nROBERTO DEVEREUX<\/td>\n<\/tr>\n
Avner Dorman <\/strong><\/td>\nWAHNFRIED<\/td>\n<\/tr>\n
Nico Dostal<\/strong><\/td>\nNOFRETETE<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel
\n<\/strong><\/td>\n		ALCINA<\/td>\n<\/tr>\n
Engelbert Humperdinck <\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\n<\/tr>\n
Leos Jan\u00e1cek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN<\/td>\n<\/tr>\n
Franz Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\n<\/tr>\n
Ruggero Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/span><\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDON GIOVANNI<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIL REPASTORE<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLA CLEMENZA DI TITO<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLUCIO SILLA<\/td>\n<\/tr>\n
Jacques Offenbach<\/span>
\n<\/span><\/strong><\/td>\n		LES CONTES D’HOFFMANN<\/td>\n<\/tr>\n
Carl Orff<\/span><\/strong><\/td>\nCARMINA BURANA<\/td>\n<\/tr>\n
Giovanni Battista Pergolesi<\/span><\/strong><\/td>\nLA SERVA PADRONA<\/td>\n<\/tr>\n
Amilcare Ponchielli<\/span><\/strong><\/td>\nLA GIOCONDA<\/td>\n<\/tr>\n
Giacomo Puccini<\/span><\/strong><\/td>\nLA BOH\u00c8ME<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nTOSCA<\/td>\n<\/tr>\n
Gioachino Rossini<\/span><\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIL VIAGGIO A REIMS<\/td>\n<\/tr>\n
Bedrich Smetana<\/span><\/strong><\/td>\nDIE VERKAUFTE BRAUT<\/td>\n<\/tr>\n
Stephen Storace<\/span><\/strong><\/td>\nGLI EQUIVOCI<\/td>\n<\/tr>\n
Oscar Straus<\/strong><\/td>\nDIE LUSTIGEN NIBELUNGEN<\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\n<\/tr>\n
Richard Strauss
\n<\/strong><\/td>\n		INTERMEZZO<\/td>\n<\/tr>\n
Pjotr Iljitsch Tschaikowski<\/span><\/strong><\/td>\nEUGEN ONEGIN<\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nAIDA<\/td>\n<\/tr>\n
\u00a0<\/td>\nDON CARLO<\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\n<\/tr>\n
\u00a0<\/td>\nLES V\u00caPRES SICILIENNES<\/td>\n<\/tr>\n
\u00a0<\/td>\nREQUIEM (szenisch)<\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\n<\/tr>\n
\u00a0<\/td>\nSIEGFRIED<\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\n<\/tr>\n
Hans Zender<\/strong><\/td>\nWINTERREISE (Ballet)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nOrchestersuite Nr. 3 D-Dur BWV 1068<\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/strong><\/td>\nDivertimento f\u00fcr Streichorchester, Sz 113<\/td>\n<\/tr>\n
\u00a0<\/td>\nUngarische Skizzen \u2013 F\u00fcnf Bilder aus Ungarn Sz 97<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nCoriolan-Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nDie Gesch\u00f6pfe des Prometheus op. 43<\/td>\n<\/tr>\n
\u00a0<\/td>\nEgmont-Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nKonzert f\u00fcr Klavier, Violine, Violoncello und Orchester C-Dur op.56 “Tripelkonzert”<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 1, 2, 3, 4, 5, 6, 8<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinromanze Nr. 1 G-Dur, op. 40<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinromanze Nr. 2 F-Dur, op. 50<\/td>\n<\/tr>\n
Alban Berg<\/strong><\/td>\nKammerkonzert f\u00fcr Klavier und Geige mit 13 Bl\u00e4sern<\/td>\n<\/tr>\n
Hector Berlioz<\/strong><\/td>\nSymphonie fantastique op. 14<\/td>\n<\/tr>\n
Giovanni Bottesini<\/strong><\/td>\nKonzert h-Moll f\u00fcr Kontrabass und Orchester<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nSinfonie Nr. 1, 2, 3<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert in D-Dur op. 77<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nFour Sea Interludes from Peter Grimes op. 33a<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonietta, op.\u00a01<\/td>\n<\/tr>\n
Anton Bruckner<\/strong><\/td>\nSinfonie Nr. 4, 7, 8<\/td>\n<\/tr>\n
Ernest Chausson<\/span><\/strong><\/td>\nPo\u00e8me de l’amour et de la mer<\/td>\n<\/tr>\n
Fr\u00e9d\u00e9ric Chopin<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 f-Moll op. 21<\/td>\n<\/tr>\n
George Crumb<\/span><\/strong><\/td>\nStar-Child<\/td>\n<\/tr>\n
Ferdinand David
\n<\/span><\/strong><\/td>\n		Concertino Es-Dur op.4 f\u00fcr Posaune und Orchester<\/td>\n<\/tr>\n
Claude Debussy<\/strong><\/td>\nDanse Sacr\u00e9e et Danse Profane<\/td>\n<\/tr>\n
\u00a0<\/td>\nLa Mer<\/td>\n<\/tr>\n
\u00a0<\/td>\nL’apr\u00e8s-midi d’un faune<\/td>\n<\/tr>\n
Henri Dutilleux<\/strong><\/td>\nThe Shadows of Time<\/td>\n<\/tr>\n
\u00a0<\/td>\nTout un monde lointain<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nConcerto for Violoncello and Orchestra in B minor op. 104<\/td>\n<\/tr>\n
\u00a0<\/td>\nOthello, op.93<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 7\u00a0in\u00a0D minor,\u00a0Op.\u00a070,\u00a0B.\u00a0141<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 8\u00a0in\u00a0G major,\u00a0Op.\u00a088,\u00a0B.\u00a0163<\/td>\n<\/tr>\n
\u00a0<\/td>\nSymphony No. 9\u00a0in\u00a0E minor, “From the New World”,\u00a0Op.\u00a095,\u00a0B.\u00a0178<\/td>\n<\/tr>\n
\u00a0<\/td>\nSlavonic Dances<\/td>\n<\/tr>\n
Edward Elgar<\/strong><\/td>\nCellokonzert e-Moll op. 85<\/td>\n<\/tr>\n
Richard Fuchs<\/strong><\/td>\nVom j\u00fcdischen Schicksal (Kantate f\u00fcr Soli, Chor und Orchester)<\/td>\n<\/tr>\n
P\u00e9ter E\u00f6tv\u00f6s<\/strong><\/td>\nConversation with Mozart<\/td>\n<\/tr>\n
Edvard Grieg<\/strong><\/td>\nHolberg Suite, op. 40<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert a-Moll op. 16<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nCellokonzert Nr. 2 in D-Dur Hob. VIIb:2<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 102 B-Dur Hob.I:102<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 104 D-Dur Hob.I:104<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong><\/td>\nSuite f\u00fcr Streichorchester<\/td>\n<\/tr>\n
Lars-Erik Larsson<\/strong><\/td>\nConcertino op.45 f\u00fcr Kontrabass und Streichorchester<\/td>\n<\/tr>\n
Ludwig August Lebrun<\/strong><\/td>\nOboenkonzert d-Moll<\/td>\n<\/tr>\n
\u00a0Franz Liszt<\/strong><\/td>\nKlavierkonzert Nr. 1 in Es-Dur<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 1 D-Dur<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nDoppelkonzert d-Moll MWV 04<\/td>\n<\/tr>\n
\u00a0<\/td>\nEin Sommernachtstraum<\/td>\n<\/tr>\n
\u00a0<\/td>\nMeeresstille und Gl\u00fcckliche Fahrt op. 27<\/td>\n<\/tr>\n
\u00a0<\/td>\nRuy Blas Ouvert\u00fcre<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 5 in D-Dur\/d-Moll op. 107, \u201eReformations-Sinfonie\u201c<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert d-Moll<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert e-Moll op. 64<\/td>\n<\/tr>\n
Olivier Messiaen<\/strong><\/td>\n\u00c9clairs sur l\u2019Au-del\u00e0<\/td>\n<\/tr>\n
\u00a0<\/td>\nLes Offrandes oubli\u00e9es<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nFl\u00f6tenkonzert G-Dur KV 313 (285c)<\/td>\n<\/tr>\n
\u00a0<\/td>\nHornkonzert Nr. 3 KV 447<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert Nr. 20 d-Moll KV 466<\/td>\n<\/tr>\n
\u00a0<\/td>\nKlavierkonzert Nr. 25 C-Dur KV 503<\/td>\n<\/tr>\n
\u00a0<\/td>\nSerenade Nr. 13 f\u00fcr Streicher in G-Dur KV 525 (“Eine kleine Nachtmusik”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 35 in D-Dur KV 385 (\u201eHaffner-Sinfonie\u201c)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 36 C-Dur KV 425 (“Linzer-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 38 in D-Dur KV 504 (“Prager-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 39 in Es-Dur KV 534<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 40 in g-Moll KV 550<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 41 C-Dur KV 551 (“Jupiter-Sinfonie”)<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert Nr. 5 A-Dur KV 219<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert Nr. 6 e-Moll KV 268<\/td>\n<\/tr>\n
Francis Poulenc<\/strong><\/td>\nKonzert g-Moll f\u00fcr Orgel, Streicher und Pauken<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonietta<\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nOuvert\u00fcre \u00fcber hebr\u00e4ische Themen op.34<\/td>\n<\/tr>\n
Sergei Rachmaninow<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2, op. 18, c-Moll<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 2 e-Moll op. 27<\/td>\n<\/tr>\n
Maurice Ravel
\n<\/span><\/strong><\/td>\n		Ma m\u00e8re l\u2019Oye<\/td>\n<\/tr>\n
Eugen Adolf Reiche<\/strong><\/td>\nPosaunenkonzert<\/td>\n<\/tr>\n
Ottorino Respighi<\/strong><\/td>\nAntiche Danze ed Arie<\/td>\n<\/tr>\n
Gioachino Rossini<\/span><\/strong><\/td>\nConcerto per fagotto ed orchestra<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/span><\/strong><\/td>\nHavanaise op. 83<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nIntroduction et Rondo Capriccioso f\u00fcr Violine und Orchester, op. 28<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 3 in c-Moll, op. 78<\/td>\n<\/tr>\n
Antonio Salieri<\/span><\/strong><\/td>\nKonzert f\u00fcr Fl\u00f6te, Oboe und Orchester C-Dur<\/td>\n<\/tr>\n
Pablo de Sarasate <\/span><\/strong><\/td>\nIntroduktion und Tarantella op. 43<\/td>\n<\/tr>\n
Arnold Sch\u00f6nberg<\/span><\/strong><\/td>\nKammersymphonie Nr. 1 E-Dur op. 9<\/td>\n<\/tr>\n
Dmitri Schostakowitsch<\/span><\/strong><\/td>\nDas goldene Zeitalter<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 F-Dur, op. 102<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 in f-Moll, op. 10<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 10 in e-Moll, op. 93<\/td>\n<\/tr>\n
Franz Schubert
\n<\/span><\/strong><\/td>\n		Sinfonie Nr. 5 B-Dur D 485<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 7 h-Moll, D.759 “Die Unvollendete”<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 8 C-Dur D 944 “Gro\u00dfe Sinfonie C-Dur”<\/td>\n<\/tr>\n
Robert Schumann
\n<\/span><\/strong><\/td>\n		Klavierkonzert a-Moll op. 54<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert a-Moll op. 54<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 B-Dur op. 38<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 2 C-Dur op. 61<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 4 in d-Moll op. 120<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nViolinkonzert d-Moll<\/td>\n<\/tr>\n
Emmanuel S\u00e9journ\u00e9 <\/span><\/strong><\/td>\nKonzert f\u00fcr Marimba & Orchester<\/td>\n<\/tr>\n
Jean Sibelius<\/span><\/strong><\/td>\nDer Schwan von Tuonela<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKarelia-Suite op. 11<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSinfonie Nr. 1 e-Moll, op. 39<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nValse triste op. 44<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nViolinkonzert d-Moll op. 47<\/td>\n<\/tr>\n
Johann Strau\u00df<\/span><\/strong><\/td>\nWalzer und Polkas<\/td>\n<\/tr>\n
Richard Strauss
\n<\/span><\/strong><\/td>\n		Konzert f\u00fcr Horn und Orchester Nr. 2 Es-Dur, o. Op., AV 132<\/td>\n<\/tr>\n
\u00a0<\/td>\nRomanze f\u00fcr Cello und Orchester<\/td>\n<\/tr>\n
Igor Strawinsky<\/span><\/strong><\/td>\nDer Feuervogel (Suite 1919)<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nDumbarton Oaks<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nKlavierkonzert Nr. 2 F-Dur, op. 102<\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nLe sacre du printemps<\/td>\n<\/tr>\n
Pjotr Tschaikowski
\n<\/span><\/strong><\/td>\n		Sinfonie Nr. 5 e-Moll op. 64<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 6 h-Moll op. 74 \u201ePath\u00e9tique\u201d<\/td>\n<\/tr>\n
\u00a0<\/td>\nViolinkonzert, D-Dur, op. 35<\/td>\n<\/tr>\n
Antonio Vivaldi <\/strong><\/td>\nKonzert f\u00fcr zwei Trompeten C-Dur op. 46 RV 537<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nSiegfried Idyll<\/td>\n<\/tr>\n
Carl Maria von Weber <\/strong><\/td>\nKlarinettenkonzert Nr. 1 f-Moll op. 73<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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Presse<\/h2>\n

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Complete Symphonic Works Dora Peja\u010devi\u0107 regarded her Symphony as her most important work. Yet at its premiere, one crucial detail was missing: her full name. In the programmes for the first performances in Vienna and Dresden, only \u201cD. Pejacsevich\u201d was listed. Why did the composer...<\/div>
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