{"id":102572,"date":"2023-01-03T16:46:06","date_gmt":"2023-01-03T15:46:06","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=102572"},"modified":"2025-08-11T15:48:10","modified_gmt":"2025-08-11T13:48:10","slug":"timothy-oliver-tenor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/timothy-oliver-tenor\/","title":{"rendered":"Timothy Oliver (Tenor)"},"content":{"rendered":"

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Timothy Oliver<\/h2>\n

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Vita<\/h2>\n

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Timothy Oliver has been described as having a voice that is \u201cglowing,\u201d \u201cringing,\u201d and \u201ccaptivating in its beauty and evenness.\u201d<\/p>\n

In the 2025\/26 season, he appears at the Semperoper Dresden as Monostatos in Die Zauberfl\u00f6te<\/em> and Spoletta in Tosca<\/em>, and returns to the Komische Oper Berlin in The Nose<\/em>.<\/p>\n

 <\/p>\n

In the 2024\/25 season, he was heard at the Semperoper Dresden as Monostatos in Die Zauberfl\u00f6te<\/em>, the Second Jew in Salome<\/em>, and in the concert premiere of Leonard Bernstein\u2019s Candide<\/em>, performing the roles of the Alchemist, Sultan Achmet, and the Crook. The season began with two significant house debuts: as Prince Arjuna in Philip Glass\u2019 Satyagraha<\/em> at Staatsoper Hannover, followed shortly thereafter by Brighella in Andreas Homoki\u2019s new production of Ariadne auf Naxos<\/em> at Opernhaus Z\u00fcrich. Other highlights included his debut at Teatro Carlo Felice in Genoa as Mercury in Strauss\u2019 Die Liebe der Danae<\/em> under Fabio Luisi, Max in Der Freisch\u00fctz<\/em> at Staatstheater Cottbus, and a last-minute appearance as A Young Servant in Strauss\u2019 Elektra<\/em> at Staatsoper Berlin.<\/p>\n

 <\/p>\n

In the previous season, Timothy made a highly acclaimed debut as Max in Der Freisch\u00fctz<\/em> at the Hessisches Staatstheater Wiesbaden. He has appeared in numerous productions at the Komische Oper Berlin, where he made his debut in 2015 in HK Gruber\u2019s Tales from the Vienna Woods<\/em>, followed by roles in Die Meistersinger von N\u00fcrnberg<\/em>, Satyagraha<\/em>, Candide<\/em>, Falstaff<\/em>, and the title role of V\u00e1\u0148a Kudrja\u0161 in a new production of K\u00e1t\u2019a Kabanov\u00e1<\/em>. He performs regularly as Monostatos in Die Zauberfl\u00f6te<\/em> at the Komische Oper and has toured with this production to Japan and to New York\u2019s Lincoln Center as part of the Mostly Mozart Festival.<\/p>\n

 <\/p>\n

Following his debut as Gandhi in Satyagraha<\/em> at the Oldenburgisches Staatstheater in 2016, Timothy went on to sing Loge (Das Rheingold<\/em>) and Mime (Siegfried<\/em>) in a new Ring<\/em> cycle. In 2008, he made his Bayreuth Festival debut as the Fourth Squire in Parsifal<\/em>, returning the following season in the same role while also singing Ulrich Eislinger in Die Meistersinger von N\u00fcrnberg<\/em>. In 2018, he made his Salzburg Easter Festival debut as Habinnas in Maderna\u2019s Satiricon<\/em>, followed in 2019 by his debut at the Maggio Musicale in Florence under Fabio Luisi as the Steersman in Der fliegende Holl\u00e4nder<\/em>.<\/p>\n

 <\/p>\n

On the concert stage, Timothy made his debut in 2008 at the Alte Oper Frankfurt as the Dying Swan in Carmina Burana<\/em>. He enjoys a close artistic collaboration with Fabio Luisi, who first invited him in 2010 to the Musikverein in Vienna for the title role in Berlioz\u2019s La Damnation de Faust<\/em>, and has since engaged him for performances with the London Symphony Orchestra, the Vienna Philharmonic, NHK Symphony, and the Accademia di Santa Cecilia in Rome. Timothy is also a sought-after interpreter of numerous works by Johann Sebastian Bach, particularly the Christmas Oratorio<\/em> and the St. John<\/em> and St. Matthew Passions<\/em>.<\/p>\n

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A native of Norfolk, Virginia, Timothy earned his Bachelor\u2019s and Master\u2019s degrees from the University of Cincinnati College-Conservatory of Music in 2001 and 2003, graduating magna cum laude<\/em>. During his studies, he spent several summers with the Ohio Light Opera and took part in programs such as the St. Louis Opera Apprentice Program and the Central City Opera, where he received the John Moriarty Award.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\u200d<\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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The Witch’s Aria – “Hansel und Gretel”<\/h5>\n

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Kudrjasch Aria – K\u00c1T\u2019A KABANOV\u00c1<\/h5>\n

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Tanzmeister’s Aria from Ariadne auf Naxos<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Beethoven<\/strong><\/td>\nFIDELIO<\/td>\nJaquino<\/em><\/td>\n<\/tr>\n
Bernstein<\/strong><\/td>\nCANDIDE<\/td>\nCandide<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTROUBLE IN TAHITI<\/td>\nRadio Singer<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nWEST SIDE STORY<\/td>\nTony<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nRemendado<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nA MIDSUMMER NIGHT\u2019S DREAM<\/td>\nFrancis Flut<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPETER GRIMES<\/td>\nPastor Adams<\/em><\/td>\n<\/tr>\n
Glass<\/strong><\/td>\nSATYAGRAHA<\/td>\nM.K. Gandhi<\/em><\/td>\n<\/tr>\n
Gruber<\/strong><\/td>\nGESCHICHTEN AUS DEM WIENERWALD<\/td>\nHavlitschek<\/em><\/td>\n<\/tr>\n
Hartmann<\/strong><\/td>\nSIMPLICIUS SIMPLICISSIMUS<\/td>\nEinsiedler<\/em><\/td>\n<\/tr>\n
Heggie<\/strong><\/td>\nDEAD MAN WALKING<\/td>\nFather Grenville<\/em><\/td>\n<\/tr>\n
Henze<\/strong><\/td>\nWIR ERREICHEN DEN FLU\u00df<\/td>\n2. Soldat<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nDIE SACHE MAKROPOULOS<\/td>\nV\u00edtek<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nKATJA KABANOWA<\/td>\nV\u00e1na Kudrja\u0161<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\nCamille de Rosillon, Raoul de Saint-Brioche
\n<\/em><\/td>\n<\/tr>\n
McNally<\/strong><\/td>\nMASTERCLASS<\/td>\nAnthony Candolino<\/em><\/td>\n<\/tr>\n
Monteverdi<\/strong><\/td>\nL’INCORONAZIONE DI POPPEA<\/td>\n1. Soldat, Valletto<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nPedrillo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nMonostatos, Tamino, Erster Geharnischter, Zweiter Priester<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIDOMENEO<\/td>\nArbace<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nDon Basilio, Don Curzio<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nSchwachsinniger<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nTOSCA<\/td>\nSpoletta<\/em><\/td>\n<\/tr>\n
Schostakowitsch<\/strong><\/td>\nDIE NASE<\/td>\nIwan, Lakai Kowoaljows<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARIADNE AUF NAXOS<\/td>\nBrighella, Tanzmeister<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nValzacchi<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nJunger Diener<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSALOME<\/td>\nErster Jude<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nTriquet<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nPIQUE DAME<\/td>\nCaplitzkij<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nBardolfo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL TROVATORE<\/td>\nRuiz<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMACBETH<\/td>\nMalcolm<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOTELLO<\/td>\nRodrigo<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nLoge<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIEGFRIED<\/td>\nMime<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nSteuermann<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\nBalthasar Zorn, David, Ulrich Eisslinger<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\n4. Knappe<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTANNH\u00c4USER<\/td>\nHeinrich der Schreiber<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTRISTAN UND ISOLDE<\/td>\nStimme eines jungen Seemanns<\/em><\/td>\n<\/tr>\n
Weber
\n<\/strong><\/td>\n		DER FREISCH\u00dcTZ<\/td>\nMax
\n<\/em><\/td>\n<\/tr>\n
Weill<\/strong><\/td>\nAUFSTIEG UND FALL DER STADT MAHAGONNY<\/td>\n Jack O\u2019Brien\/Jakob Schmidt<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSTREET SCENE<\/td>\nDaniel Buchanan<\/em><\/td>\n<\/tr>\n
Weinberger<\/strong><\/td>\nSCHWANDA DER DUDELSACKPFEIFER<\/td>\nTeufels Famulus<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMatth\u00e4us-Passion (BWV 244)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong>
\n<\/strong><\/td>\n		Messe C-Dur op. 86<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 9 (d-Moll) op. 125<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nStabat Mater, op. 58 (B 71)<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMessiah, HWV 56<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nDie Sch\u00f6pfung, Hob. XXI:2<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMissa in Angustijs \u201eNelsonmesse\u201d, Hob. XXII: 11<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong>
\n<\/strong><\/td>\n		Requiem in d-Moll. KV 626<\/td>\n<\/tr>\n
Carl Orff
\n<\/strong><\/td>\n		Carmina Burana<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”presse” in_content_menu=”in_content_menu” content_menu_title=”PRESSE” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Presse<\/h2>\n

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RICHARD STRAUSS \u2013 INTERMEZZO<\/a><\/h3>
By Agentur<\/a><\/span>9. June 2026<\/abbr><\/span><\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere The Fritjof Saga Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Andreas Herrmann pr\u00e4sentiert einen klangsch\u00f6nen, strahlenden Tenor… Die deutsche B\u00fchne by Andreas...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”102551,102549,102547,102545″ img_size=”200×200″ css=”.vc_custom_1692536922213{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Timothy Oliver [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] Timothy Oliver has been described as…<\/p>\n","protected":false},"author":4,"featured_media":102546,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-102572","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=102572"}],"version-history":[{"count":24,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102572\/revisions"}],"predecessor-version":[{"id":108495,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/102572\/revisions\/108495"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102546"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=102572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}