{"id":101735,"date":"2022-08-28T19:45:22","date_gmt":"2022-08-28T17:45:22","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=101735"},"modified":"2026-02-08T16:38:44","modified_gmt":"2026-02-08T15:38:44","slug":"friedemann-roehlig","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/friedemann-roehlig\/","title":{"rendered":"Friedemann R\u00f6hlig (Bass)"},"content":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Friedemann R\u00f6hlig<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Vita<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””]<\/p>\n

\n
\n
\n

In the 2025\/26 season, Friedemann R\u00f6hlig opens at Stadttheater Klagenfurt as King Marke in a new production of Tristan und Isolde<\/em>. At the Aalto Theatre Essen, he will also appear as King Helge in the new production of Frithjof-Saga<\/em> and as Gurnemanz in the revival of Parsifal<\/em>.
\nHis most recent engagement was as Sir Morus in the new production of Strauss\u2019 Die schweigsame Frau<\/em> at the Badisches Staatstheater Karlsruhe.<\/p>\n

 <\/p>\n

Guest appearances have taken him to the Op\u00e9ra national de Paris, De Nationale Opera Amsterdam, Op\u00e9ra National du Rhin Strasbourg, San Francisco Opera, La Monnaie Brussels, Teatro Real Madrid, Gran Teatre del Liceu Barcelona, Teatro Nacional Lisbon, Theater Basel, the Salzburg, Bregenz and Bayreuth Festivals, as well as to the opera houses of Hamburg, Leipzig, D\u00fcsseldorf, Karlsruhe, Munich and Stuttgart.<\/p>\n

 <\/p>\n

His wide-ranging repertoire includes Rocco (Fidelio<\/em>), Sarastro and the Speaker (The Magic Flute<\/em>), Osmin (The Abduction from the Seraglio<\/em>), Commendatore (Don Giovanni<\/em>), Baron Ochs (Der Rosenkavalier<\/em>), Morosus (Die schweigsame Frau<\/em>), Gremin (Eugene Onegin<\/em>), Banco (Macbeth<\/em>), Il Grande Inquisitore (Don Carlo<\/em>), Fiesco (Simon Boccanegra<\/em>), Kaspar (Der Freisch\u00fctz<\/em>) and numerous Wagner roles including Gurnemanz, Pogner, Hans Sachs, Fasolt, Fafner, Hunding, Hagen, Wotan, Marke and King Heinrich.<\/p>\n

 <\/p>\n

On the concert stage, he has appeared at the Concertgebouw Amsterdam, Cologne Philharmonie, Konzerthaus Berlin, Gasteig Munich, Festspielhaus Baden-Baden, Dresden\u2019s Kreuzkirche and Frauenkirche, Leipzig\u2019s Thomaskirche, KKL Lucerne and the Charles Bronfman Auditorium in Tel Aviv.<\/p>\n

 <\/p>\n

Born in Leipzig, he studied at the Hochschule f\u00fcr Musik und Theater \u201cFelix Mendelssohn Bartholdy\u201d Leipzig and the Staatliche Hochschule f\u00fcr Musik und Darstellende Kunst Stuttgart. He is a prize-winner of the 49th ARD International Music Competition in Munich and began his career as a member of the ensemble at Staatstheater Kassel.<\/p>\n

 <\/p>\n<\/div>\n

2025-08-11<\/em><\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space]WEBSITE<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”media” in_content_menu=”in_content_menu” content_menu_title=”MEDIA” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Media<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Staatsoper Stuttgart | BORIS GODUNOV<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=2ZTLA1EHGNA”][vc_separator type=”small” separator_width=”26″ position=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Staatsoper Stuttgart | DER PRINZ VON HOMBURG<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=pnKMEAyb-Z0″][vc_separator type=”small” separator_width=”26″ position=”center”][\/vc_column][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”repertoire” in_content_menu=”in_content_menu” content_menu_title=”REPERTOIRE” content_menu_icon=”” text_align=”center” background_color=”#ffffff” css_animation=”” css=”.vc_custom_1691430533847{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Repertoire<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″ down=”39″]

OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Andr\u00e9e<\/strong><\/td>\nFRITHJOF-SAGA<\/td>\nKing Helge<\/em><\/td>\n<\/tr>\n
Beethoven
\n<\/strong><\/td>\n		FIDELIO<\/td>\nRocco<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nLULU<\/td>\nAthlet, Tierb\u00e4ndiger\u00a0<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nWOZZECK<\/td>\nDoktor<\/em><\/td>\n<\/tr>\n
Hal\u00e9vy<\/strong><\/td>\nLA JUIVE<\/td>\nKardinal Johannes Brogni<\/em><\/td>\n<\/tr>\n
Jost<\/strong><\/td>\nRUMOR<\/td>\nDer Alte<\/em><\/td>\n<\/tr>\n
Meyerbeer<\/strong><\/td>\nLES HUGUENOTS<\/td>\nMarcel<\/em><\/td>\n<\/tr>\n
Monteverdi<\/strong><\/td>\nL’INCORONAZIONE DI POPPEA<\/td>\nSeneca<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nOsmin<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nSarastro, Sprecher<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nIl Commendatore, Leporello<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CLEMENZA DI TITO<\/td>\nPublio<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nBartolo<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nWarlaam<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nLA BOH\u00c8ME<\/td>\nColline<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nDon Basilio<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nDER ROSENKAVALIER<\/td>\nBaron Ochs<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDIE SCHWEIGSAME FRAU<\/td>\nSir Morosus<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nF\u00fcrst Gremin<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nDON CARLO<\/td>\nGro\u00dfinquisitor<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMACBETH<\/td>\nBanco<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nGraf von Moterone, Sparafucile<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIMON BOCCANEGRA<\/td>\nJacopo Fiesco<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nFafner, Fasolt<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE WALK\u00dcRE<\/td>\nHunding<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\nHagen<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE FEEN<\/td>\nFeenk\u00f6nig<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\nVeit Pogner<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\nHeinrich der Vogler<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nGurnemanz, Titurel<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIENZI<\/td>\nKardinal Orvieto, Steffano Colonna<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTRISTAN UND ISOLDE<\/td>\nK\u00f6nig Marke<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\nEin Eremit, Kaspar<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nh-Moll-Messe (BWV 232)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMesse in F-Dur (BWV 233)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMesse in A-Dur (BWV 234)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMesse in g-moll (BWV 235)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMesse in G-Dur (BWV 236)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMagnificat (BWV 243)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMatth\u00e4us-Passion (BWV 244)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nChorfantasie c-Moll op. 80<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa solemnis in D-Dur op. 123<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 9 in d-Moll op. 125<\/td>\n<\/tr>\n
Hector Berlioz<\/strong><\/td>\nL\u2019enfance du Christ<\/td>\n<\/tr>\n
Leonard Bernstein<\/strong><\/td>\nChichester Psalms<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Dave Brubeck<\/strong><\/td>\nLa Fiesta de La Posada<\/td>\n<\/tr>\n
\u00a0<\/td>\nTo Hope! A Celebration<\/td>\n<\/tr>\n
Anton Bruckner<\/strong><\/td>\nTe Deum<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nMesse D-Dur (Lu\u017eansk\u00e1 m\u0161e) op. 86<\/td>\n<\/tr>\n
\u00a0<\/td>\nStabat Mater, op. 58<\/td>\n<\/tr>\n
\u00a0<\/td>\nTe Deum op. 103<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMessiah, HWV 56 (Der Messias)<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nDie Jahreszeiten, Hob. XXI:3<\/td>\n<\/tr>\n
\u00a0<\/td>\nDie Sch\u00f6pfung, Hob. XXI:2<\/td>\n<\/tr>\n
\u00a0<\/td>\nDie sieben letzten Worte unseres Erl\u00f6sers am Kreuze<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa in Angustijs \u201eNelsonmesse\u201d, Hob. XXII: 11<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa Sancti Nicolai Hob. XXII:6<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong><\/td>\nGlagolsk\u00e1 m\u0161e (Glagolitische Messe)<\/td>\n<\/tr>\n
Siegfried Matthus<\/strong><\/td>\nTe Deum<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nElias op. 70 (MWV A 25)<\/td>\n<\/tr>\n
\u00a0<\/td>\nPaulus op. 36 (MWV A 14)<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nMesse C-Moll, KV 427<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa longa in C-Dur, KV 262<\/td>\n<\/tr>\n
\u00a0<\/td>\nRequiem in d-Moll. KV 626<\/td>\n<\/tr>\n
Gioacchino Rossini<\/strong><\/td>\nMessa di Gloria<\/td>\n<\/tr>\n
\u00a0<\/td>\nPetite Messe solennelle<\/td>\n<\/tr>\n
\u00a0<\/td>\nStabat Mater<\/td>\n<\/tr>\n
Franz Schubert<\/strong><\/td>\nMesse As-Dur, D.678<\/td>\n<\/tr>\n
\u00a0<\/td>\nMesse Es-Dur, D.950<\/td>\n<\/tr>\n
Heinrich Sch\u00fctz<\/strong><\/td>\nJohannes-Passion, SWV 481<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtshistorie, SWV 435<\/td>\n<\/tr>\n
Igor Strawinsky<\/strong><\/td>\nHistoire du soldat<\/td>\n<\/tr>\n
\u00a0<\/td>\nOedipus Rex<\/td>\n<\/tr>\n
Franz von Supp\u00e8<\/strong><\/td>\nMissa pro defunctis<\/td>\n<\/tr>\n
Georg Philipp Telemann<\/strong><\/td>\nDie Tageszeiten<\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nMessa da Requiem<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”https:\/\/agentur-seifert.de\/wp-admin\/post.php?post=99001&action=edit&lang=en&classic-editor” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Press<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″]

\"\"

FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Friedemann R\u00f6hlig<\/a><\/span><\/div><\/div><\/div>

FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span>Reviews<\/a>, Reviews Friedemann R\u00f6hlig<\/a><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
Read more<\/a><\/div><\/div><\/article><\/div>
\"\"

DIE SCHWEIGSAME FRAU (PREMIERE) – BADISCHES STAATSTHEATER KARLSRUHE (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Friedemann R\u00f6hlig<\/a><\/span><\/div><\/div><\/div>

DIE SCHWEIGSAME FRAU (PREMIERE) – BADISCHES STAATSTHEATER KARLSRUHE (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>5. January 2024<\/abbr><\/span>Reviews<\/a>, Reviews Friedemann R\u00f6hlig<\/a><\/span><\/div>
Premiere on December 9th, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
Read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”101767,101755,101763,101743″ img_size=”200×200″ css=”.vc_custom_1692586450149{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Friedemann R\u00f6hlig [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] In the 2025\/26…<\/p>\n","protected":false},"author":4,"featured_media":101759,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-101735","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/101735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=101735"}],"version-history":[{"count":30,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/101735\/revisions"}],"predecessor-version":[{"id":109290,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/101735\/revisions\/109290"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/101759"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=101735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}